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“America’s Story, by a Black Woman” Screenwriter Elle Johnson...

“America’s Story, by a Black Woman” Screenwriter Elle Johnson on ‘Self Made: Inspired by the Life of Madam C.J. Walker’ “I got my start by giving myself a start.Don’t wait for the opportunities to come.You...
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The Interactive Future - 5 Tips For Creating Choice-Driven Content

Interactive movies, television, and ads are here to stay. While Netflix’s Black Mirror: Bandersnatch thrust the medium into the mainstream, storytellers have been creating this type of content for decades. In the...
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When Social Media Meets Research, How Do You Know What To Believe?

When there’s a “wow” moment at an awards show or when a new movie trailer drops online, people around the world grab their phones and race to social media to voice their opinions. Even more people jump on just to read the...
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Where Does The Legal Battle Between the ATA and the WGA Leave Producers?

With the ATA (Association of Talent Agents) and the WGA (Writers Guild of America) deep in a legal battle for the foreseeable future, where does that leave producers? Here are some practical tools to help producers connect with writers and navigate...
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Erica Tachoir Talks “Scattering Jake”

Erica Tachoir is a writer, director, and actor based in Brooklyn. Her screenplay Scattering Jake was received wide screenplay contest recognition. Her short film Too Sunny FOr Santa (starring Natalia Dyer from Stranger...
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PitchFesting In 20 Easy Steps

PitchFests are a worldwide, calendar-wide phenomenon. Formats may differ from event to event, country to country, but there are some strategies that you can get started on immediately to assure you are ready to go.WHAT YOU CAN DO NOW1. Finish your...
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One Movie, Three Structures: The Avengers

Whether you are a self-taught writer, in school, or reading books on your own, the structure of a screenplay is critical in the analysis of your professionalism. But which structure is “right?” Which structure should you adhere to in...
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When I Talk to Writers...

WHEN I TALK TO WRITERS... There are a number of key points I emphasize - 1. How readable is your script? In other words, is it gripping, compelling, well-paced, uniquely interesting? If not, we make a plan to fix it. 2. Is it an acceptable length?...
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