Jodi Levitan began her writing career without words, first finding success writing mime and clown routines. Those routines grew into longer stories, and those stories grew into full-length, award-winning screenplays. She spoke with Creative Screenwriting Magazine about her journey and what it means to make it to the prestigious ISA Top 25 Screenwriters To Watch list.
Describe your unique personal and professional background and the specific project that attracted ISA interest?
I have a varied background in performance arts, including theater degrees from Stonybrook University and The Welsh College of Music and Drama, performing for the fringe festival in Edinburgh, Scotland, street performing, casting for HBO, performing full time in hospitals for children as part of The Big Apple Circus, movement consulting for off-Broadway, and of course, my true passion, screenplay writing. In addition to that, I am extremely proud to have raised, with my husband, two compassionate, intelligent, wonderful young men.
The project that captured the interest of ISA is Finding Distance. The inspiration for the story was witnessing the trials and tribulations of my son while we traveled the National Circuit for competitive fencing. ISA’s input has brought this project to the next level.
Why did you decide to become a screenwriter above all other careers?
Screenwriting chose me, rather than the other way around. While I was busy raising my children and with other projects, I constantly had stories living in my head that needed to be told. The one that was screaming above all others was my grandmother’s fight with mental illness during the 1930s. I titled the screenplay Legacy. It went on to place in several screenplay competitions and this early success gave me the confidence to write my other stories.
What personal qualities do successful screenwriters need to make it?
It seems to me the most important qualities to become a successful screenwriter are:
The talent to tell a story in a compelling way
Being open to comments from someone you trust as you go from draft to draft
The ability to block out time that works for you to write
The fortitude to handle the rejection that comes with being a writer
Most importantly, you have to believe in your story, and also in your own power to tell that story.
What is your winning script and why did you choose to write it?
My script is called Finding Distance set in the fencing world. My son fences and a lot of my life was and is spent exploring that world with him. I love the dedication and determination that the kids have to the sport and to each other, that was the story I wanted to tell.
How many drafts did you write before being accepted into the ISA Top 25 list?
Too many to count!!!
What did you learn with each draft?
The characters really drive the story. Listen to them and you can’t go wrong.
What inspires your imagination?
My day to day interactions with people and the world is what hooks my curiosity. The more exciting, troubling, upsetting, or dramatic my encounters are, the more likely they are to become the inspiration for my next story.
Do you have a preferred genre, format, theme you write in?
Women’s stories are the ones that speak to me. I write character-driven stories with strong female protagonists. My characters always discover a strength in themselves they did not know they possess.
How do you practice and improve your writing craft?
I read a lot of scripts, I belong to a couple of writers groups made up of very talented people, I attend staged readings of works in progress; hearing and reading other peoples stories as they develop helps me the most.
Do you have any mentors, heroes/ heroines?
I’m a big fan of Susanna Grant. I love her work.
What advice do you have for screenwriters wanting to make next year’s ISA Top 25 list?
Tell a story that you believe in. Don’t write something because it’s a subject that’s the flavor of the month. You have to write something that speaks to you and is something that keeps you up at night because you can’t stop thinking about it.
What is something that few people know about you?
I’m a classically trained Mime and Circus Clown.