Apr 03, 2018
Sep 03, 2018
Nov 03, 2018
Jan 03, 2019
May 08, 2018
The 10th Annual New Media Film Festival - Honoring Stories Worth Telling
Event will be held on June 1-2, 2019 in Los Angeles CA
SCRIPTS
All Script types considered. Short of long form, animation, comedy, sitcom, drama, books, web series, reality, live, TV anything scripted, this is for you. There is not a limit on page numbers. Top 3 winners in this category win Industry memberships valued at $1000.00 each & are still considered for Grand Prize Award. In addition, the Best Script winner will be interviewed for The Script Lab Magazine. New this year: Emmys Consultant for one entry.
MORE ABOUT THE FESTIVAL
The rationale behind the festival is clear. New media continues to show its lasting power and potential to evolve - there is scope for truly groundbreaking and compelling work in the world of storytelling. The festival is designed to both discover and cultivate highly creative work from emerging and seasoned content creators.
Put your innovative work forward and join the unique community of content creators at New Media Film Festival® - submit today! www.NewMediaFilmFestival.com
"Worth The Entry Fee”- Movie Maker Magazine
"Makes The Cutting Edge Accessible” – Huffington Post
"I thank NewMediaFF for what they’ve done for young filmmakers” -Roger Corman
"The role of this fest is bringing the Best in New Media to the World”-Festival World
"Stories that exemplify the power of the cinematic arts to inspire and transform”- Hero Complex
Awards
Content Creators vie for a chance at $45,000 USD value in a mix of services, meetings with HBO, Arpix Media & Marvel reps as well as some cash prizes. See below for details.
Best of Category Award winners receive:
A customized hand painted wood Slate Board
An opportunity for a Distribution deal
3 Student Best of Category winners will receive $100 Cash each
3 Script Best of Category winners will receive memberships worth over $1000 each
View the 2017 Award Recipients list
Grand Prize Award:
This award encompasses it all: Story, Production Value, Above & Below the line, everything you need to finish your current project or get started on a new one.
A customized hand painted wood Slate Board
An opportunity for a Distribution deal
Studio time in Los Angeles CA
Meeting with HBO
Meeting with Marvel
Post Production Services from Mongo Media
Music Supervisor & Owner Arpix Media Inc., Ron Proulx
Casting Services for your project provided by Select Services Films Inc.
Resources and Production Consulting provided by Susan Johnston Casting
An opportunity for a Distribution deal
The Grand Prize Award Package and category winner awards are valued at over $45,000.00 and are non transferable. These are in kind services only and cannot be redeemed for cash. Good for one year from date of festival won at. All scheduling subject to availability.
If you are not present when we announce your name at the Awards Ceremony, we will ship your personalized award upon receipt of a pre paid shipping label or the cost to ship.
You must own the rights to submit your content.
Each entry is considered for competition and distribution.
Up to 3 people review your content. If 2-3 of the screeners approve of your content based on our criteria, you are accepted in to the festival.
Judging Process
If your content gets accepted into the festival, the New Media Film Festival team will choose the top 3. Those top 3 chosen go before our judges to choose the winner.
PLEASE NOTE:
We communicate via email
We will notify you if you are accepted into the festival
We may offer you distribution even if you were not accepted into the festival.
We are proud to be able to move all kinds of content forward, to be seen, screened and monetize.
There are no refunds.
Thanks for submitting.
TERMS AND CONDITIONS
Rules and regulations New Media Film Festival: Terms and Condition Rules and regulations New Media Film Festival: By submitting your work to the New Media Film Festival, you are agreeing to this statement. In submitting this work, I am claiming that it is my own and that I hold all necessary copyright or have the permission of the appropriate owners of copyright to incorporate portions of their work. Yes, I am the creator and author of the work submitted. In the event that my entry contains the work of other individuals or organizations, I understand that it is my responsibility to obtain any necessary permissions and/or licenses. Yes, I have the necessary rights and/or permissions to use the visual elements in this entry. Entrants are responsible for transportation costs, insurance charges and any customs fees incurred when shipping to the festival. Works submitted for jury selection will not be returned after the close of the festival. New Media Film Festival does not check to make sure that you have cleared these materials at any point during the application process, nor will we be held responsible for any inclusion of uncleared materials. It is the sole responsibility of the entity submitting the project to secure permission from the copyright holder of the material in question. Quite often, rights holders offer reduced rates for festival films, so you should contact them directly to avoid any possible rights infringements. Submission fee is non refundable
COMPLETION DATE
No requirement for completed by date.
PLACE OF ORIGIN
Projects may originate from anywhere in the world
DISTRIBUTION STATUS
Projects may have distribution
Susan Johnston
Festival founder and director Susan Johnston is President of Select Services Films, Inc. an award winning production company which is also certified DBE. As a kid, Susan was on the set of the 1st Great Gatsby where she met Robert Redford while her father was handling the antique cars. From there, she worked on every production she could garnering experience in every department of filmmaking. Her first film a 35mm color film noir short Room 32 which won two awards, received distribution and was requested by Spiderman 3 for their production team.
Susan founded the critically acclaimed New Media Film Festival ® in 2009 to honor stories worth telling in the ever changing landscape of media, New Media. Legendary judges cull over the content for the annual festival in Los Angeles that offers screening, competition ($45k in awards) and distribution opportunities. Currently there are over 600 titles in their library.
Johnston has a background in the traditional film and TV industry, but has also become known in recent years as a pioneering new media producer including Stan Lee’s Comikaze Expo panel for Independent Creators, Co-Producing Feature Film Dreams Awake & currently producing the Marvel Comic feature Prey: Origin of the Species. While the Industry was changing from standard def to HD Johnston produced the 1stseries for mobile, Mini-Bikers the 1st live stream talk show on HD with a Panasonic Varicam and tested the Panasonic DVX100 which led to some changes on the DVX100A and was on a committee to develop the SAG Internet contract with Pierre Debs of SAG. Currently a Professor Emeritus in New Media, on New Media steering committee for The Caucus, an advisory board member for SET Awards (Entertainment Industry Council), Machinma Expo judge & New Media Institute judge.
In 2012 LinkedIn announced Susan Johnston was one of the top 10% profiles looked at out of 20MM. With over 80,000 on the monthly newsletter elist and over 2 million across social media, Susan Johnston has been touted as a Social Media expert and lent her expertise to Los Angeles Social Media Week, IFFS, Jackson Hole Science Conference, Moviola, A Brasov Romania conference & is proud to be able to share with the American Film Market new advancements in the social media/crowd funding space.
Prior to relocating to Los Angeles in 2000, Susan Johnston, a New England native, worked with the Providence & Rhode Island Film Commissions over 5 years to build the infrastructure used by the Farrelly brothers, as well as by director Michael Corrente, NBC's hit TV series Providence, and the New England Screenwriters Conference. She developed Context Media Studios International production capabilities as well as garnered funds before Senate Committee hearings and helped facilitate the 25% tax incentive for investors of films in Rhode Island.
