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I'm currently developing more, but these are at the forefront. I'm looking for someone who is good with the chaos of working on more than one project at a time, in varying genres and lengths. When submitting, I'd most like to know what you feel your strengths are. I'd also like to know about what you think are the weak points of your writing abilities. Which genres are you most attracted to? Please include anything that you feel is relevant to you and your writing style.
I am based in Las Vegas, but welcome submissions from everywhere. However, if you are based in the Las Vegas area, please include that in your cover letter. We will be equal partners on the project(s) and share any future profits.
Filming is complete! All we need is your help to put the story on paper and layout the sceens! This is a great opportunity for an intern or student writer to get credit on a well produced, well written and compelling documentary that is funny, educational, uplifting and inspiring! Need to fill this position immediately. Production to be completed by spring! No pay but a great experience and opportunity to get your name out there!
Only submit to this writing gig via the ISA web site. Direct emails will not be considered.
We are a new international production company based in London. We are constantly script hunting and receiving screenplays from screenwriter competition finalists, agents, Writers Guild of America, UK and Canada.
We are looking for self-motivated script readers who could help us make a pre-selection in scripts that will end up on the producer's desk. All you need for this job is a computer with an internet connection. You can work on your free time. Whenever you want to read a script, just let us know. The job is unpaid and experience only, but it is a great opportunity to make friends with a new developing production company.
If interested, please send us your resume, along with a letter describing yourself and why you'd like to be a reader. Only applications with resumes will be considered!
The times will be from 11am - 5pm each day. You will be needed to help enroll students when they come in and be ready to jump in and help out on any other tasks. It's going to be a small class, so your work won't be too intensive. Additionally, you'll get to sit in on the seminar and have free access to the ecourse we are filming.
We can pay $50 per day for this.
There's an opportunity after this to continue working with Shore and helping us grow in LA. This could be thorough a mixture of jobs including script coverage, online research, course/seminar preperations, etc. Fees for each will then be discussed, but this is for future work.
Please send a resume and short cover letter.
- - - - - - Free Featured Podcast: Jacob Kruger - Plays Vs. Screenplays - - - - - -
"...The process of writing a screenplay is different from writing a play in many essential ways. The first is the difference in the use of action." For screenwriters, action is the primary tool of structure. But for playwrights, the primary tool is dialogue.
Listen to the full podcast here: https://www.networkisa.org/curious-individual.php?id=3944
Please note this opportunity is for artists already attending the Sundance or Slamdance Film Festivals only, there will be a small honorarium for your time. Casting will be finalized 15th January 2018.
Candidates must be highly skilled at online research and lead generation, and possess above average writing ability.
This is an unpaid position for a self-motivated intern to start immediately. The role would suit candidates interested in pursuing a career in representation, screenwriting, marketing. Interns will work remotely and will have the full support of senior staff. We encourage our interns to be inquisitive, ask questions and take initiative. Successful interns will receive positive references and introductions to our 80+ Industry Roster of Agents, Producers, and Managers, and potentially may have the opportunity to work on-set, on a future Shore Scripts production project. Interns will also gain free access to our Comprehensive Screenwriting E-Course led by UCLA Professor, Richard Walter.
· A laptop and Wi-Fi connection
· Fluency in Excel is required
· Experience with/knowledge of IMDb (Pro) and LinkedIn
· Interest in film, television, entertainment, and pop culture
· Ability to work against tight deadlines
· Experience writing query letters, enquiry letters, and applications
· Organization, efficiency, and prioritization skills are necessary, as are creativity and quick problem-solving
· Prior experience in the screenwriting/film industry is encouraged but not necessarily required
· Must be at least 18 years old
Hours of work are open to negotiation; however, interns must commit to no less than 8 hours a week. Submit your resume and a cover letter.
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