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Screencraft Action & Thriller Screenplay Contest

CONTEST DESCRIPTION

One of last year’s winners signed with a top literary management company and has projects in active development! We’re looking for ACTION MOVIES and carefully crafted THRILLERS. Whether you have a tense thriller or a big, effects-driven action film, we want to read your screenplay. Professional feedback from studio-trained readers is available on all entries.

PRIZES

  • $1,500 cash
  • Introduction and phone consultation with legendary Hollywood screenwriter Steven E. de Souza, whose iconic action films include Die Hard, The Running Man, Commando, 48 Hours and more!
  • Introduction to a top Hollywood literary manager

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ISA

International Screenwriters' Association

We are squarely focused on supporting emerging screenwriters in their professional growth by providing nearly every tool and resource available in the industry. It's our express goal to support writers of any level or background, who are proactive in developing their careers and are willing to learn from the insights and expertise of our community members. Screenwriting takes perseverance. The harder you work, the better this site will work for you.

Feedback Type

Additional Fee Added to Entry

  • ISA Introductory Feedback: (1-2 pages of notes): $30
  • ISA General Feedback: (2-3 pages of notes): $55
  • ISA Extensive Feedback: (5-6 pages of notes): $125

Feedback Type Description

ISA Introductory Feedback (1-2 Pages)

So much of the opportunity available to your script is spent within the first twenty pages. You need to make sure the hook, teaser, cold open… grabs the reader and presents you like it should. This analysis will give you those answers.

ISA General Feedback (2-3 Pages)

You know your work inside and out, now it’s time to get a second opinion. We’ll read your full script, and you’ll receive a detailed personalized critique on what we see, what we think, and suggestions on where to go next.

ISA Extended Feedback (5-6 Pages)

For those looking for an extensive breakdown of the inner-workings of their creative material. Writers who select this Analysis will receive suggestions on how to improve overall writing, story, structure, characters, pacing, stakes, climax and resolution, specific problem scenes, tone and overall commercial appeal.

Rules

  • Submissions are accepted via electronic submission on this website only, between July 25th, 2016 and October 20th, 2016.
  • Entry fee for each screenplay is $49 until the regular deadline on October 15th, and then $69 until the late / final deadline on October 20th.
  • There is no limit to the number of projects you may submit.
  • Entries must be received on or before the deadlines and submission fee payment must be made in full at time of the submission. All entry fees are non-refundable
  • All submitted material must be original, and all rights must be wholly owned by the writer(s).
  • Material must be submitted by the writer. Material written by writing teams must be submitted by one of the writers, with consent of the other(s). All writers must be credited on title page.
  • If a writing team is chosen as a winner, prizes will be given to the person who submits the project. Each team is responsible for dividing or sharing the prize money.
  • Substitutions of either corrected pages or new drafts of the entered material are not allowed. Please proofread your script very carefully before submitting.
  • It is recommended that original material be registered with the WGA or The Library of Congress before submitting to any competition, however we do not require registration.
  • All ownership and rights to the scripts submitted to this contest remains with the original rights holders.
ELIGIBILITY:

 

  • All writers at least 18 years of age are eligible. However, a writer who has earned more than $50,000 (or equivalent currency) from professional writing services for film or TV in the preceding year is not. (Contest winnings not included.)
  • All persons from anywhere in the world are eligible; however the material submitted must be in English.
  • All material submitted to other competitions or contests are eligible.
  • There are no requirements as to when the material was written.
  • The material submitted must not be encumbered by any obligation to, or option held by, a third party prior to entering the competition.
  • Any submitted work that becomes optioned, published, produced or purchased between the time of submission and the end of the judging period will no longer be eligible.
  • Material should be submitted in standard screenplay format, font, spacing and margin.
  • We have no preferences regarding title page content. Title and name of writer would suffice.
  • Adaptations are ineligible unless the underlying rights are owned by the writer or the work is in the public domain.
  • Feature screenplays longer than 140 pages will not be eligible.
  • All material must be submitted electronically as a PDF or it will not be eligible.
  • The judging panel, selected by ScreenCraft or its representatives in its sole discretion, will include one screenplay development professional from each of these studios and production companies listed on this year's jury, however these studios and companies are in no way official sponsors or endorsers of this contest. The top 10 finalists will be chosen based on the following criteria: (i) originality; (ii) story; (iii) characterization; (iv) visual inventiveness; and (v) overall impression. The top 10 finalists will be notified by email and may be contacted by interested industry representatives, such as managers, agents or producers. Entrants may be required to submit further information to assist in the judges' verification of eligibility. Any entrant may be deemed ineligible at the sole discretion of ScreenCraft. Quarter-finalist, semifinalist, and winner announcements will begin 4-6 weeks after the final deadline. Finalists may be required to sign and return within seven (7) business days of receipt a notarized Affidavit of Eligibility and a Release and Indemnification and any other documents that ScreenCraft or any other partner may require before receiving prize payment. Failure to respond to the initial notification within ten (10) days or return of notification will result in disqualification. We reserve the right to amend these rules at any time.

 

FAQs

None added. Contact contest admin for details.

Alexander Meilan's 'Tokyo Fall' makes semi-finals

Alexander Meilan's action packed/thriller script 'Tokyo Fall' is currently in the semifinals for the 2016 Screencraft Action & Thriller Screenplay Contest.
read more »

Quarter Finalist at Screencraft Action/Thriller awards 2016

Alistair Collinson's script, The Beasts of Ramree, selected as a Quarter Finalist at Screencraft Action/Thriller awards 2016
read more »

There are no judges bio linked to this contest.

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