Registration Fee ---


Semi-Finalists Announced

Jan 06, 2018

Winners Announced

Jan 13, 2018

Finalists Announced

Jan 20, 2018

The Southern California Screenplay Competition


The Southern California Screenplay Competition is based in San Diego, California. It was founded by writer/director/producer Theo Davies (theo-davies.com), to discover fresh, new writing talent. There are many undiscovered storytellers who have a voice, but that voice is never heard. We want to create a platform where the screenwriters of tomorrow have a place to showcase their talent, today.

To us, this is not just a screenplay competition. Our main objective is to create some exposure for screenwriters. We want to get your stories into the hands of the people who option, buy and produce scripts and actually introduce you to top hollywood writers and producers.

Every North American writer who submits to us receives a phone call. We love meeting screenwriters, so this gives us an opportunity to talk about your background as a screenwriter and the script we're about to read.


As the winner of the feature length competition, you will not only receive $1,000, but your script will be read by Jeffrey Reddick (Writer/Creator, 'Final Destination' franchise). You'll also have a one hour video call with Jeffrey to talk about your script.

The winner of our TV Pilot competition will receive $750 and the winning script will be read by Arturo Guzman (Producer, 'Orange is the New Black'). You will also have a 1 hour video call with Arturo to talk about your pilot.

In both the feature screenplay and TV Pilot categories, the winning scripts will sent to our ever growing list of Hollywood Producers & Execs who have a first look option to buy or produce the scripts. We will also set up pitch meetings between you and any Producers interested in acquiring your screenplay.

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International Screenwriters' Association

We are squarely focused on supporting emerging screenwriters in their professional growth by providing nearly every tool and resource available in the industry. It's our express goal to support writers of any level or background, who are proactive in developing their careers and are willing to learn from the insights and expertise of our community members. Screenwriting takes perseverance. The harder you work, the better this site will work for you.

Feedback Type

Additional Fee Added to Entry

  • ISA Introductory Feedback: (1-2 pages of notes): $30
  • ISA General Feedback: (2-3 pages of notes): $55
  • ISA Extensive Feedback: (5-6 pages of notes): $125

Feedback Type Description


In this industry, the first twenty pages can mean the difference between a "go picture" and a "go home and try again." Give your writers the advantage with a page (or two) introduction to their script from an outside perspective. We'll map out the direction of the screenplay thus far, and give advice to gently nudge them on the proper course.


Our most popular analysis. The writer will receive a personalized critique based on a thorough read-through of the entire script, up to 120 pages. Whether half-hour pilot or feature film, we'll note our thoughts on everything from the characters and dialogue to pacing, structure, and formatting, and even where the work fits in the marketplace.


Give your writers the in-depth insight of the ISA's working industry professionals. Our Readers will provide 5-6 pages of advanced notes, breaking down every moment and character arc, noting the subtleties that a writer may not have contemplated, and providing a next-level perspective that will empower screenwriters and help script achieve their full potential.


We invite writers from all over the world to submit their scripts to the Southern California Screenplay Competition (SCSC). Below are the terms and conditions for the competition:

- All scripts must be submitted in English.
- All submission fees must be paid in U.S. dollars.
- All script and payment submissions will be made online only.
- All US based applicants will receive a phone call from SCSC to confirm receipt of their script. All International applicants will receive an email.
- All scripts must be the original work of the author(s) with no restrictions from a third party.
- All scripts must be in a pdf format with a title page that clearly states the title, author(s) name(s), email address and/or contact phone number.
- Scripts will not be eligible if they have been sold, produced for profit or optioned.
- Only original scripts will be accepted, including teleplays. The following do not qualify for our competition: novels, short stories, stage plays, musicals, treatments, synopses, reality show concepts and spec scripts for existing TV shows.
- Writers/applicants can only submit scripts. We will not accept loglines, taglines, synopses, casting suggestions, resumes, cover letters, photographs or any other materials of any kind.
- Scripts adapted from your own work, including books, plays and other source materials are all eligible, but only if you retain all rights to your work.
- Adaptations from other works will be accepted, under the condition that the writer of the original work has granted you written permission to use his/her material.
- Adaptations of works in the public domain are also permitted.
- The competition is not limited to one script per writer(s). Writers may submit multiple scripts.
- All scripts must contain a title page with the following information included: title of the script, name(s) of writer(s), telephone number and email address. This information is for office use only and will not have any bearing on the judging process or decision-making.
- The winners will receive script coverage feedback within 14 days of the winners' announcement.
- Once a script has been submitted, no revised or future drafts will be accepted.
- Writers under the age of 18 years old must provide written permission from a parent or guardian in order to submit their work.
- By submitting their work, applicants agree to accept all decisions made by the judges.
- All writers are advised to register their material with the U.S. Copyright Office and/or the Writer's Guild of America or the equivalent copyright agency in his/her country.
- All writers/applicants retain the rights to their screenplays.
- All writers/applicants are non-exclusive to the Southern California Screenplay Competition (SCSC) and may submit their screenplays to any other person, competition, producer, agent, publisher and/or organization.
- In the event that an applicant wins either the feature length or short film competitions, he/she agrees that the Southern California Screenplay Competition (SCSC) are permitted to use his/her name for advertising and/or promotional purposes.
- Competition winners will receive financial compensation in the form of a check.
- All winners and runners up who receive financial awards are responsible for their own tax liability. 
- Competition runners up will be compensated their submission fee.
- Writer(s) may request a refund of their submission fee up to 24 hours after the initial submission payment has been made.
- Writer(s) acknowledge and accept without reservation that he/she is an independent contractor and under no circumstances are the judges or administrators at the Southern California Screenplay Competition (SCSC) responsible for withholding taxes or payments to any local, state or federal government agency.


None added. Contact contest admin for details.

Giancarlo Fusi's Hell Hound Wins Southern California Screenplay Competition

The TV pilot script 'Hell Hound' is the Grand Prize Winner of the Southern California Screenplay Compettion. Even better than recieving a monetary award for the win, the contest's founder Theo Davies is getting the script into the hands...
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'The Poacher' Hauls In 4 More Top Finishes

Travis Opgenorth's African-set action-thriller 'The Poacher' took home four top finishes in March bringing the script's total tally to SIX finalist finishes or better. The four recent marks are: Runner-Up - SoCal Screenplay...
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The Hunter

Two of my features made it to the semi finals in the same contest. This is one of them. The other one was Tick Talk.
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Tick Talk

Two of my features made it to the semi finals in the same contest. This was one of them. The other one is The Hunter.
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