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Nov 15, 2017


Dec 15, 2017


Jan 15, 2018

Diverse Voices presented by WeScreenplay


To provide a platform focused on promoting and encouraging diverse voices and stories. We're looking for writing from perspectives through the author or characters that are underrepresented in Hollywood.


$1,000 Cash Prize

3 Months of Script Development via WeScreenplay

Distribution to over 60 managers, agents, and producers

Free entrance to any WeScreenplay Contest

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Feedback Type Description


1. Screenplays entered must:
a. Not include the writer’s or writing team’s name or contact information on any page of
the script including the title page. If the name is on the title page only, the script won’t
be disqualified.
b. Include a title page with no name(s) of the writer or writing team.
c. Be submitted in PDF form and must fit all standard screenplay format guidelines.
Personal formatting conventions will be accepted but must not intentionally or
accidentally alter the page count of the project as determined by the judges. A rule of
thumb, if your script is formatted properly and under 120 pages, it will likely not be
more than 23,000 words.
d. Be owned solely by the writer or writing team listed. It may be an adaptation or
reimagining of true events or fictional stories. It may not be a sequel to or prequel to
any script or movie not owned by the writer or writing team.
e. Be written in English. However, scripts from anywhere in the world will be accepted.
2. To be eligible for the Grand Prize, finalists must answer a prompt that aligns with the Diverse
Voices Mission within 10 days of the finalist announcement. The prompt will be “How does your
voice, experience, or story represents a new and diverse perspective for Hollywood?”
3. Screenplays entered may be in any genre or combination of genres. All will be treated equally
and read by an unbiased panel of judges.
4. Screenplays of 3 different formats will be accepted: Feature, TV, or Short. All will compete for
the Grand Prize, but will each have their unique honorable mention.
5. Entrant’s total earnings for screenwriting for either film or tv, produced or unproduced, must
not exceed $50,000 in the past 18 months. This excludes any prize money from competitions or
fellowships and only applies to fund or money transferred in exchange for an option or sale of a
script, treatment, idea, intellectual property, or other writing for filming. Money earned from
acting, directing, producing, or any other film work outside of writing is not included.
6. Screenplays submitted must not have been previously sold or produced unless said sale or
production was competed with no financial gain to the writer.
7. For a submission to be valid it must be accompanied with the appropriate payment based on the
submission deadlines. Any scripts over 120 pages will be charged an extra $1 per page at any
8. Purchasing Judge’s Feedback, Basic Coverage, or Full Coverage will in no way impact the scoring
of the screenplay or its chances of winning or placing in the competition.
9. All deadlines are at 11:59pm PST on the date listed. Any deadline alteration or promotion of any
kind does not make any entry valid for a refund of any kind.
10. Alterations can be re-uploaded on the WeScreenplay use dashboard. Find it at
11. There are no refunds for any submitted screenplay. Coupons may not be applied to previously
submitted scripts. Coupons deemed for WeScreenplay coverage may not be used for submission
to the contest or addition of coverage to any submission unless explicitly stated.
12. There is no limit on the number of scripts a writer or writing team may submit.
13. Prizes are award per script and teams of writers are expected to divide prizes on their own
accord. WeScreenplay will send prizes to the writer who submits the project and will in no way
be responsible for how the prizes are distributed among the writing teams.
14. The decision of the judges will be final and cannot be contested in any manner. There is no score
on a scorecard that guarantees advancement to the next level as advancement will be based on
all score in the competition.
15. Scorecards will be distributed to each script within a week of elimination from the competition,
but early distribution does not necessarily indicate placement in the contest. Feedback and
Coverage will ideally be distributed between 2 and 3 weeks following submission, but this is not
guaranteed. We only guarantee that coverage will be provided before the Semi Finalist
16. WeScreenplay reserves the right to delay announcements for any reason. Delay may last up to
but never more than 60 days. While we never anticipate any delays, such delays will not alter
the standing of any screenplay entry and will qualify no script for a refund under any
17. By entering the WeScreenplay contest every entrant is agreeing to all WeScreenplay Terms and
Conditions listed and available before checkout. If you disagree with any terms you may not
submit to the contest.
18. By submitting to the contest you are releasing your script to WeScreenplay and holding
harmless WeScreenplay or any affiliates from any claims, expenses, and liabilities, including but
not limited to invasion of privacy, defamation, copyright, libel, trademark infringement, slander,
personal property infringement, etc.
19. Any prize winners may be required to sign an affidavit validating their entry into the contest.
20. Any cash prize winners of over $599 will be required to file a W-9 before the cash prize is
21. Any winners may have their name, script title, and picture used for any WeScreenplay
promotions or promotions of our sponsors or affiliates.
22. Former Grand Prize Winners of any WeScreenplay contest may enter so long as it is NOT the
same script that won in a previous year. Any other placement in former years does not
disqualify the script from being entered this year.
23. If a writer is under 18 at the time of entry, the any cash prize won will be distributed in the form
of equal value coverage or contest entries for WeScreenplay. No cash will be awarded if under
18 years old.


What is considered a "Diverse Voice"?


The contest is looking to encourage and promote either:

1.) Writers who have been shown to be under-represented by the WGA diversity report: minority writers, women writers, and writers over 40. 
2.) Stories starring characters that are generally untold because of the misconception that they don't perform well: minorities, women (especially in traditionally "male" roles), women over 40, LGBTQ members, senior citizens, faith-driven characters, or any stories that don't appear on the normal studio slate.

If a script or writer hits either of these two categories, they qualify. We will consider all scripts and stories, but once the finalists are announced, those who have made it to that level will be asked to answer: "How does your voice, experience, characters, or story represent a new and diverse perspective for Hollywood?" As long as that question can be answered in a way that fits in one of the above categories, the script will be considered to win the Grand Prize. 


Please e-mail with any other questions. We'll be happy to answer within 24 hours.

Comedy Screenplay "My Stupid Libido" a Finalist in Diverse Voices!

Source: Mark Stasenko, Director, Diverse Voices presented by WeScreenplay:
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Finalist for WeScreenplay's first Diverse Voices Competition Spring 2016

Aaron Yeung's 'Darlings' was selected as a finalist for Diverse Voices Competition, among many other talented writers.
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"The Interview" by James M. Freeman & Karsten Freeman honored.

"The Interview" by James M. Freeman & Karsten Freeman is a 2016 Finalist in the HollyShorts Screenplay Contest and a 2016 Semi-Finalist in the Diverse Voices Screenplay Competition.
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Glenn Acosta's 'GLIMPSE' - Semifinalist at 2016 Diverse Voices

Glenn' Acosta's feature script 'GLIMPSE' advances to the semifinals at 2016 Diverse Voices.  This follows advancing to the Second Round at the 2016 Austin Film Festival, which represents the top 15% of 9,100 scripts...
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Gianpaolo Pietri - FINALIST in Diverse Voices Screenplay Contest

For every entry Diverse Voices receives, WeScreenplay will donate $3 to Books For Kids to ensure that children of every background and all starts in life have a chance to become storytellers. The mission of the Books for Kids Foundation is...
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Amanda Norman 'Mercy' Diverse Voices Finalist

Amanda's family drama feature 'Mercy' was recently named a finalist in the Diverse Voices contest by Wescreenplay. 'Mercy' was also chosen as a PAGE Quarterfinalist and an AFF 2nd Rounder.
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Travis Opgenorth's thriller 'The Poacher' Hits The Mark

Travis Opgenorth's African set action-thriller feature 'The Poacher' just bagged the 2nd place prize in the Table Read My Screenplay (Park City) contest. The script also knotched a semi-finalist finish in the Wescreenplay Diverse Voices...
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BLOOD ROUGE Wins Southeast New England Film Festival's Best Screenplay

Jeza Belle's dramatic screenplay BLOOD ROUGE recently took home top prize in the Southeast New England (SENE) Film and Music Festival.  The story of a gender-fluid young man who must survive brutality at the hands of both his childhood and Nazi...
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'Blood Rouge' Wins Southeast New England Film Festival's Best Screenplay

Jeza Belle's dramatic screenplay 'Blood Rouge' recently took home top prize in the Southeast New England (SENE) Film and Music Festival.  The story of a gender-fluid young man who must survive brutality at the hands of both his childhood and...
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Addison Bhuyan's "MoneyGripp" Pilot A Semi-Finalist At Diverse Voices

A Semi-Finalist at WeScreenplay's Diverse Voices makes "MoneyGripp" Addison's third script in six months to place in competition.  He already has two wins under his belt for a TV spec of The Americans and a short screenplay, respectively.
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'No Man's Land' named WeScreenplay Diverse Voices Semifinalist

Mel Piper's screenplay 'No Man's Land' is a semifinalist in the Diverse Voices 2017 screenplay competition presented by WeScreenplay.WeScreenplay script reader commented: ''The concept itself is so underplayed here to a tremendous extent, leaving...
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Jeza Belle's SONG OF CHEER AGAIN recently won WeScreenPlay's Diverse Voices contest in the Short Screenplay category.  This contest is committed to "promoting and encouraging diverse voices and stories" in Hollywood and had close to...
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Chris Courtney Martin's 'Prodigal' named Finalist in Diverse Voices Contest

Martin's twisted family drama feature 'Prodigal' was named a Finalist in WeScreenplay's Spring 2017 Diverse Voices contest. When asked by WeScreenplay how'Prodigal' represents a new and diverse perspective for Hollywood, Martin answered: "My...
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Jeza Belle's Short Screenplay Diverse Voices Winner

Jeza Belle's 'Song of Cheer Again' recently won WeScreenPlay's Diverse Voices contest in the Short Screenplay category.  This contest is committed to "promoting and encouraging diverse voices and stories" in Hollywood and had close to...
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Devin Mainville's short screenplay 'Wrong Number' 2017 accolades

Devin Mainville's short screenplay has garnered a lot of attention in 2017, notably being the Winner - March 2017 Live Read L.A, receiving 6th place in the 2017 Table Read my Screenplay Contest – New Orleans, and being a Finalist in the...
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THAT SISTER THANG is a WeScreenplay Diverse Voices Semifinalist

Hot off its runner-up placement in Fresh Voices 2019, THAT SISTER THANG has made it through to the semifinals of WeScreenplay Diverse Voices. The show is an original half-hour dramedy about two black South African sisters, different as night and...
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SAUSAGE & SUSHI makes WeScreenplay Diverse Voices Semis

Great to see Dale Winton's pilot make the next round! A story about a bisexual guy secretly juggling a traditional straight life with a more hedonistic gay one and finds his two worlds colliding when his fiancee gets pregnant and his boyfriend...
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SAUSAGE & SUSHI makes Finals of WeScreenplay Diverse Voices

Dale Winton's latest pilot about a bisexual guy secretly juggling a traditional straight life with a more hedonistic gay one is through to the final round! (Script and pitch deck available.)
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First-time Screenwriter Pens Award-winning "A Revolutionary Act"

First-time Screenwriter Pens Award-winning "A Revolutionary Act"
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Limited Series Pilot Making Waves

Elizabeth Dwyer's limited series pilot NORTH AMERIKAY has placed as a finalist for the ISA Fast Track Fellowship, a finalist with WeScreenplay's Diverse Voices contest, and a Second Rounder at the Austin Film Festival. In December 2019, NORTH...
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There are no judges bio linked to this contest.