Sep 27, 2018
Oct 23, 2018
Matt Coatsworth – Agent, UTA
Karen Kirkland - Abrams Agency, Literary Agent
Karen Kirkland, Literary Agent at Abrams Artists Agency, and an industry veteran, who over the past 27 years has been involved in various aspects of the film and television industry; stemming from an independent producing background, compiling over 50 commercial and music videos to her credit. She has been nominated for multiple MTV Music Video Awards, won an NAACP Image Award for Video of the Year, and served as the producer of the LA Film Festival, a preeminent cinematic event, showcasing compelling independent films, TV and episodic work from emerging storytellers, alongside filmmaker-driven studio titles.
Formerly, as Nickelodeon’s Vice President, Talent Development and Outreach, Karen spent 13+ years identifying, developing and staffing writing talent onto Nickelodeon network productions. Under her leadership, Nickelodeon’s Writing Program expanded worldwide and blossomed into one of the most competitive and well-respected vehicles for emerging television writers.
Tanja Tawadjoh - Head of Development, Black Bicycle Entertainment
Tanja Tawadjoh runs Development for Black Bicycle Entertainment, an independent financing and production company. In addition to overseeing development and potential project acquisitions, she serves as a creative producer from inception through completion. Tanja has also been working alongside Black Bicycle's founder and CEO, Erika Olde-Coggin, to spearhead the Iris-In Mentorship Program, in partnership with The Ghetto Film School.
Recent films include: November Criminals, The Female Brain, Home Again, Woman Walks Ahead
Erika Olde-Coggin - Founder, Black Bicycle Entertainment
Erika Olde-Coggin is an award-winning producer and founder of Black Bicycle Entertainment, the Los Angeles based production company that produces and finances commercial and prestige feature films. Her recent work includes Home Again, starring Reese Witherspoon, Susanna White's Woman Walks Ahead, starring Jessica Chastain, and Whitney Cumming's The Female Brain. Olde-Coggin is also a passionate global advocate for the advancement of women and gender equality and a TiFF Share Her Journey Ambassador. She created a women 's studies program for the prestigious Ghetto Film School, the LA/NY non-profit that provides educational opportunities to high school and college students passionate about making movies. Olde-Coggin has been featured in media worldwide including Variety's "2017 Woman's Impact Report" and speaks frequently about her work and advocacy.
Pat Verducci - Producer, Writer, Consultant
Pat has written screenplays for Touchstone Pictures, Witt-Thomas Productions, and Disney’s animation division. She’s also worked as a story consultant for Disney/Pixar as part of their ‘Brain Trust.’ She wrote and directed the feature film True Crime, and her writing credits also include documentary shorts for HBO and Showtime. She co-produced Somewhere Between, a feature documentary about four teenaged girls adopted from China, and is currently a script editor (development consultant) on several feature projects for Film Victoria in Australia. She’s a mentor for the Meryl Streep IRIS/New York Women in Film and Television’s Writer’s Lab, and teaches screenwriting in the MFA program at UCLA’s School of Theater, Film and Television
Richard Wenk - Writer, Producer
Wenk has written The Equalizer 2 and The Magnificent Seven, both worldwide box office successes starring Denzel Washington and directed by Antoine Fuqua. Other produced screenplays Wenk has written includeThe Equalizer, Jack Reacher: Never Go Back, starring Tom Cruise, and the Bruce Willis action film 16 Blocks, directed by Richard Donner among many others.
Steve Basilone - Executive Producer, Writer
Steve has written and produced more than 150 episodes of television, working for critical and commercial successes like Happy Endings and Community. In 2015, he wrote a feature for Focus Films. For the last four years Steve has been serving as Co-Executive producer for the ABC hit, The Goldbergs. Currently Steve's working on writing the sequel to the 1987 Arnold Schwarzenegger and Danny Devito classic, Twins, for Montecito Pictures, as well as making his directorial debut with a feature he wrote.
William (Joe) Saunders - Manager and Producer, Old City Entertainment
William J Saunders (who goes by "Joe") began his non-fiction career at NFL Films, producing and directing documentaries for HBO, FOX, ABC, CBS, ESPN, NFL Network and the BBC. While at NFL Films Saunders won an EMMY Award in the Outstanding Long Feature category for his documentary, Big Charlie's. Since leaving NFL Films, Saunders has directed and produced feature animation (The Little Prince), live action narrative films (Sweet Little Lies), commercials (AT&T) and new media content (Coach Snoop). He created his production company, Old City Entertainment, in 2008. He is a Film Independent fellow, a member of the Director's Guild of America and a MFA recipient from Columbia University's School of the Arts.
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The ISA Fast Track Fellowship was developed to give two undiscovered screenwriters a direct line to meet with and be mentored by eight top executives in Los Angeles. We'll fly you to LA and provide you an experience of a lifetime by connecting you to the best people in the industry. Plus, the two Fellows will immediately be invited onto the ISA Development Slate and work directly with the ISA Development Team for an entire year in an effort to Fast Track their careers.
54 SCRIPTS ON THE ISA DEVELOPMENT SLATE HAVE BEEN PRODUCED OR OPTIONED!
Many more are out to top producers as well as many of these emerging screenwriters
have received representation as a result of getting onto the Slate.
Within 10 days of his Fast Track week set up by the ISA, Sean Collins-Smith signed with Silent R Management, the same management as Barry Jenkins the writer/director of the OSCAR winning film MOONLIGHT! Additional success stories include; Melissa Birks signed with The Savage Agency; Andy Byrne signed with literary manager, Chris Watkins of Catapult Entertainment Group and has 2 films in production with name actors; Evan Cooper, Top 10 Fast Track screenwriter has signed with manager, Kailey Marsh (creator of The Blood List) and is in production on a $2,500,000 film he wrote and will direct! 
“Winning the Fast Track Fellowship gave me more industry exposure in one week than I had in over a decade of writing. A Fast Track mentor sent one of my scripts out to major studios, and I still remain in contact with this producer. I am also currently developing a television show with another Fast Track mentor. If you want to take your writing career to the next level — apply right away!”
~ David Kushner, Writer/Fast Track Fellow
"My experience with the ISA has been truly amazing. They have been incredibly supportive in the most practical way imaginable - by getting CHARLES DICKENS'S GHOST CLUB directly into the hands of respected production companies who can genuinely get it made. The script has now been optioned by Eclectic Pictures as a direct result of the ISA's tireless efforts,"
~ Mark Robertson, Writer/ISA Development Slate Screenwriter.
TOP 50 WILL RECEIVE:
Past fellows and honorable mentions have had their projects optioned or have received representation from Catapult Entertainment Group, The Savage Agency, Indomitable Entertainment, Requiem Entertainment and more.
As an ISA Fast Track Fellow you'll get to create new relationships and ask burning questions with industry professionals from around Hollywood. Past mentors include those from:
Mentorship Week: Los Angeles - November 12 - 16, 2018
To begin your journey as a Fast Track Fellow, you’ll be flown to L.A. for a five-day stay in a beautiful hotel in the heart of Hollywood.
Your week kicks off with a meet-and-greet with ISA Director of Development Felicity Wren and Director of Education & Outreach Max Timm, who will help you get settled into your new role and take you through the week's itinerary. They'll accompany you every step of the way as you have career-changing meetings with top industry mentors in a one-on-one setting. The week is capped off with a party in your honor during the ISA's Third Thursdays.
This Season's Mentors Include:
Matt Coatsworth – Agent, UTA
Karen Kirkland - Abrams Agency, Literary Agent
Tanja Tawadjoh – Head of Development, Black Bicycle Entertainment
Erika Olde-Coggin - Founder, Black Bicycle Entertainment
Pat Verducci - Producer, Writer, Consultant
Richard Wenk - Writer, Producer
Steve Basilone - Executive Producer, Writer
William (Joe) Saunders - Manager and Producer, Old City Entertainment
Subscribe to our newsletter for mentor announcements and updates.
After your week in LA, you'll receive a Year-Long Script Development & Career Guidance
Once Mentorship Week is done, the real work of the Fellowship begins. You and your script will be championed to industry through the ISA Development Slate, which will push you to our roster of managers and agents for representation and also share your work with production companies and major studios in the hopes of getting your script optioned.
You'll also receive a One-on-one consultation with the Director of Education Max Timm from The Story Farm along with a year membership to ISAConnect. With these resources you'll be able to continue improving your Fellow-worthy work, or create a brand new project that we can promote around town. The choice is yours!
Hear from Fast Track Fellows - Andy Byrne and Lily Mercer
ISA INTRODUCTORY FEEDBACK
In this industry, the first twenty pages can mean the difference between a "go picture" and a "go home and try again." Give your writers the advantage with a page (or two) introduction to their script from an outside perspective. We'll map out the direction of the screenplay thus far, and give advice to gently nudge them on the proper course.
ISA GENERAL FEEDBACK
Our most popular analysis. The writer will receive a personalized critique based on a thorough read-through of the entire script, up to 120 pages. Whether half-hour pilot or feature film, we'll note our thoughts on everything from the characters and dialogue to pacing, structure, and formatting, and even where the work fits in the marketplace.
ISA EXTENSIVE FEEDBACK
Give your writers the in-depth insight of the ISA's working industry professionals. Our Readers will provide 5-6 pages of advanced notes, breaking down every moment and character arc, noting the subtleties that a writer may not have contemplated, and providing a next-level perspective that will empower screenwriters and help script achieve their full potential.
Who are the mentors and what can I ask them?
All mentors are listed on the home description page as they are announced and you can ask them anything you like in the meetings. The time is yours, what you make of it is up to you, so plan ahead. You'll spend about 30 minutes - 1 hour with each executive over a 5 day period while in Los Angeles.
Can I pitch my project in the meetings?
These are not pitch meetings. Unless they request you to pitch them it is your time to ask question about the industry and build relationships rather than sell your work. You will know after the meeting (or maybe even during) if the mentor is interested in working with you further.
What are the announcement dates?
TOP 50 Considered: Sept. 27, 2018
2 Fast Track Fellows Announced: Oct. 23, 2018
When is Mentorship Week?
November 12 - 16, 2018
Is it one Feature writer and one TV Pilot writer that is chosen?
No, TV Pilots and Features run together. We are looking for the best writers overall, so feel free to submit both types of scripts as one writer.
Who pays for the flight and hotel while in Los Angeles?
The ISA will cover your flight from anywhere in the world (up to $500 Domestically and $1,000 Internationally), plus hotel accommodations for 5 days in Los Angeles.
What if I live in Los Angeles, can I receive cash for the flight and hotel?
You will receive a $250 cash stipend to cover transportation costs, parking and other instead.
Do you accept submissions via snail mail?
No. In an attempt to be green, we’re not accepting hard copies via the postal service. We’re accepting online submissions and online payments via the ISA website. This includes all major credit cards.
Do I have to submit my script as a PDF?
Yes, and if you aren't sure how to create a PDF our staff is happy to help.
Should I include my title page with my screenplay?
Yes, you should include your title, your name, telephone number and email address.
Can I submit a screenplay under a pen name?
Yes.
Does my script have to be registered?
No, but we DO recommend registering your work with the WGA and/or the Library of Congress Copyright office.
Does the writer maintain rights to the screenplay?
Yes, always!
Do I receive feedback with my submission?
You can order feedback for an additional fee. Choose your FEE TYPE to make your feedback selection at the bottom of the submission form.
- 1st 20 pages for an additional $35
- Full script with 3 pages of notes: $55
- Full script with 5 pages of notes: $110
When will I receive my feedback?
Your feedback will be emailed to you within 90 days of submitting your script, usually much sooner.
Can I re-submit a rewrite or corrected versions of my script if I haven't ordered feedback?
No, you must submit your screenplay as a new submission for the price of the current deadline fee.
What if I make a mistake and send the wrong script?
If you make a legitimate mistake entering and recognize this within 24 hours, email us here, and we'll send you instructions on replacing your screenplay: FastTrack@NetworkISA.org
Do I need to submit a logline? Synopsis?
Logline: YES / Synopsis: NO
Do you accept short screenplays?
No, not at this time.
Will my screenplay be accepted if it’s not in the traditional format?
Scripts should be written in standard spec screenplay or teleplay format, set in 12-point Courier font. Scripts should be standard length.
What's the minimum/maximum permitted page length?
Features: 70 - 120 pages. TV Pilots: 10 to 70 pages.
My screenplay is longer than 120 pages. Will it be disqualified?
No, but we urge you to stay within the guidelines. It’s rare that a good screenplay requires more than the standard number of pages.
If I'm over 120 pages and receiving feedback, will my full script be read?
We are forgiving with a 5-page grace, however if you are at 6 or more pages over the maximum, you will be charged $1 for each page over 120 pages. You will be emailed to discuss and billed separately, or you are welcome to just have your feedback done on the first 120 pages of your screenplay at the normal prices.
What genres do you accept, and can I submit with more than one?
We accept all genres. We understand scripts can be categorized in many genres. You are welcome to submit in more than one genre, but another submission fee is required. These are the more common genres: Action/Adventure, Thriller, Animation, Fantasy, Science Fiction, Comedy, Drama, Family, Historical, and Horror
Do you accept novels, short stories, stage plays, musicals, treatments or synopses, reality show concepts, documentaries or spec scripts for existing TV series?
No, we’re sorry; we do not. We accept ORIGINAL narrative feature length screenplays and narrative sitcom or hour-long TV pilots only.
Can I submit an adaptation of a book or play?
Absolutely, as long as you have full rights to the material and either are the author or have a written agreement with the author allowing this script to be written and marketed.
Can I submit more than one screenplay?
You sure can and there's a discount if you enter them all at once. Check the fees at time of entry.
Will entering early increase or decrease my chance of being a finalist?
Entering early will neither increase or decrease your chance of being chosen, but it will save you money!
How will I know if you received my script?
You will receive an email confirming your submission immediately upon completing form and payment. If you do not, please email us here: FastTrack@NetworkISA.org
What if my script is optioned or sold after I submit to Fast Track?
As long as your script was not optioned or sold prior to the date you submitted, you are still eligible.
I don’t live in the United States. Can I still enter?
Yes, and we look forward to reading your work. Please just make sure it’s in English. No other languages are accepted at this time.
Any other questions feel free to email us here: FastTrack@NetworkISA.org
2018 FAST TRACK VIII Results
Top 50 Screenwriters:
(alpha order by last name)
The Monarch Guild by Jason Ancona
Case Unsolved by CJ Arellano
S.H.A.R.P. by Josh Auter
The Devil You Don't by Adrienne Arno & Kal Bogdanove
Coming Home To Me by Tori Bond
Child Of Cumber by Landis Carrion Aponte
Taxman by Jonathon Cooper
Branded by Meagan Daine
The Case of Stone vs Glass Window by Victor Daniel-Kalio
Christmas Shelter by L Fay Devlin
The Divinity Cycle by Nelson Downend
North Amerikay by Elizabeth Dwyer
Screener by Kerry Dye
Challenger by Skye Emerson
Walks Like A Man by J. Franklin Evans
Days of Infamy by Saiya Floyd
Sol by James Fox
Fissure | Amazons by Sean Gallimore
The Lucky Ones Drowned | Black Balloon by Jason Goldberg
Trial By Ordeal by Samantha Gordanier
Secret Santa | Maria Santiago | Nala's Heart by Pauline Gray
Scribe | Queen's Gambit | RELO | The Fourth Reich by Christopher Greene
The Contestant by James Hibbard
Finding Alexandria by Sayem Huq
Shrimp by Nicole Jones
Helen on 86th St. by Nicole Kempskie
How To Save Your Own Life by Michael Long
Ivan's Hammer by Ben Maraniss
The Sleeping Life Of Sofia by Marcelo Mayen
Fucking Robots by Emily McGregor
NancyGirl by David McMahon
Eat Dead Bird by Molly Miller
Libertine by Michael Mizrahi
The Masses by Toni Nagy
The Basket Weaver by Peres Owino
Odium by Annika Pampel
Persona by Hussain Pirani
Across the Line by Heidi Putallaz
Converted by Dana Quercioli
Bison Man by Michael Rhodes
Hypnotic | Grandpa by Max Rissman
In The Wolf's Mouth by Mariah Robinson
The Lawsuit by John Rosans
Summery Sometimes by Sasha Siljanovic
Morretti & Jones Publishing and Emergency Plumbing by Steven Snell
The Dreaming by Eric Steele
The Mentor by Andrew Stone and Meredith Levine
Commander by Amanda Treat
A.B. Is An E.T. by Aaron Yarber
Looking Glass by Bill Zide
2018 FAST TRACK VII Results
Fellows:
Ned Farr with Tin Kickers | Sean Collins-Smith with End of Life | Lifers Anonymous
Special Mention:
Erin Berry & David Pluscauskas with Crime and Privilege
Nicole Kempskie with Helen on 86th St.
Pearse Lehane with The Lean
Camille Righi with The Ark
Top 50 Screenwriters:
(alpha order by last name)
Poly | Sex Curve | Virtually Yours by Merridith Allen
Crime and Privilege by Erin Berry and David Pluscauskas
Halcyon Falls by Jeff Bower
Insurrection by Simon Bowler
King Company by Robert Brickman
Eyes of Eve | Fortress by Dan Bronzite
The Endless Fortune of The Barefoot Ship Breaker by Nick Camacho
Unravelled By Ted Campbell
Reverse the Curse by Patrick Caulfield
Kast From Heaven by Elie Choufany
Lifers Anonymous | End of Life by Sean Collins-Smith
Landscape with Bandits by Richard Crawford
Asomni by Stuart Creque
Blue on Blue by David Dasilma
Dave's New World by Luke Dinsmore
Plugged | Killer Skillset by Geoff Dupuy-Holder
The Madman's Robot Wife by Alex Falzon
Tin Kickers by Ned Farr
Amazons by Sean Gallimore
All the Gallant Men by Ken Gire
FUNeral | Flatwoods | The Caregiver by Jason Goldberg
The Redeemers | Bulldog and Flower by Leonard Harris
The Devil's Breath by Tom Hogan
Life with Rodney by Jabari Howard
Kyla's War by Hank Isaac
Western Approaches by Andrew Judge
Comic Book Kings by Amanda Keener
Helen on 86th St. by Nicole Kempskie
I Think We Missed Our Turn by Chandler Kilgore-Parshall
Dronegames by John Kim
The Most Important Thing by Daniel Kuhlman
Connection by Jace Lacob
The Lean by Pearse Lehane
Boston Marriage: Rallying Cry by Leslie Linder
The Three Lives of Angel Fleming | Quintana by William Lipera
Stringer by Elaine Loh
Envie by James "Doc" Mason
The Eagles of Kandahar By J.D. Mathes
Judge and Jury by Kristopher Miller
Smothered by Emanuel Nisan
Iron Maiden by Travis Opgenorth
The Ark by Camille Righi
Noir | The Tallest, Darkest Leading Man in Hollywood by Tom Powell
Sister Midnight by Evan Price
Love Struck by Nicole Rodrigues
Burden of Courage by Daron Ross
With Friends Like These | Anxious Panxious by Jason Ryan
Silverton by Richard Schenkman
Trust Issues | The Bigger Story by John Sparano
Teton Reckoning by Debi Yazbeck
2017 FAST TRACK VI Results
Fellows:
David Kushner with Bloodlands | Wendy Wilkins with Hometown
Special Mention:
David Johnson with Choke Job
Chris O'Neill with Affection
Aaron Yeung with Darlings
Top 50 Screenwriters:
(alpha order by last name)
Poly by Merridith Allen
The Redemption of Barry Jane by A.K. Anders
Hopeful Soul by Robert Axelrod
Tundra Kill | Ferocity | Edison's Ghosts | To Kill A Saint | The Treasure Kings | Blood Relative by Kevin Bachar
101 Ways to Become a Better Person by Megan Bacharach
4-F by Greg Beck
Wartime Revelations by Carlo Bordone
Mark of Cain by Edward Case
Tulsa '21 by Anita Collins
Blood on the Gold by Dennis DeBon
Default by Hannah Rae Dillon
East of Mecca by Sheila Flaherty
Rumpel by Lisa Garvey
Is Dad Dating Mom? by Alisyn Ghivizzani
Dependents by Ellie Goodman
Amazing Adventures by Jonny Greenwald
The Royal Nonesuch by John Gross
The Forgotten Slaves of Sand Island by Lisa Hagen
Foursome by Brent Hartinger
Afterliving by Dan Hass
The Third Law "Chirality" by Kenny Heidt
The Last Deer by Steven Hoerger
The Motherless Nanny by Sheila Jenca
Children of Hg by Noreen Jenkins
Choke Job by David Johnson
American Mata Hari by Timothy Kestrel
The Islander by Stelana Kliris
Rebellion by Sergio Kopelev
Bloodlands by David Kushner
The Great Pretenders by Jillian Lauren
Shitstorm by David Luz
Ivan's Hammer by Ben Maraniss
The Main Event...in America by Antwan McKnight
Statues of Liberty by Dean Mohr
Devil to Pay by Julie Moran
Man of War Pilot by Robbie Norris
Arthur and the Cat by Brian O'Connor
Affection by Chris O'Neill
Dietrich Danzig by John Pisano-Thomsen
13 East by Enrique Posner
Whitestone by Ian Roumain
Gone Postal by Christy Rust
Dreams of the Lovejoys by Peter Shinkle
The Fairy King by Steven Snell
Medea, South Carolina by Don Thompson
Bulldyke by Britain Valenti
Mr. Butterfly by J.R. Wicker
Hometown by Wendy Wilkins
Darlings by Aaron Yeung
Concrete Samurai | Shambhala by Ramon Zapata
2017 FAST TRACK V Results:
Fellows:
Emily Tomson with Artesia | Patrick Holden with Helios Rising
Special Mention:
David Johnson with Choke Job
Troy Miller with The Hitch
Ted Campbell with Unravelled
Top 50 Screenwriters:
(alpha order by last name)
The Boy Who Shot the Sheriff by Nancy Bartley
Unravelled by Ted Campbell
Byron, the Pale Rider by Matthew Clingempeel
Eucalyptus |and| Quarry by Ash Corristine
Special by Jay Cundiff
Law of the River by Meagan Daine
Mount Pleasant by Cat Dale
I'm a Window by Ruggero Dalla Santa
A Fish For Rudy by Helen Darvall
The Resistance by Jon Davis
In The Company Of Strangers by Corey Deshon
Testament by Kerry Dye
Ripple by Heather Faris
The Twin Within by Gunnar Garrett
Ripple by Michele Giannusa
Cinderlands - Episode 101: Pilot |and| Dorothy Quinn by Marten Gisby
Dancing on the Elephant by Lisa Hagen
The Boy Who Had Three Arms |and| The Last Mile by Christian J. Hearn
Genuine Article by Lauren Hendler
Helios Rising by Patrick Holden
Over the Moon by Ted Janet
Choke Job by David Johnson
Charles Towne by Alston Jones
A Woman, Untitled by Charles Lane
Ashes In Lima by Jeff Lehman
The Red Girl by Anthony Liakopoulos
Traumatized by Kris Lippert
Epiphany by Wayne Mathias
Enemyway |and| Waikiki by Patricia Meyer
The Hitch by Troy Miller
Delicate Flower by Ryan Moore
Talk Therapy by Thomas Moore
The 49th Day by Craig Peters
Hidden Eyes by Yolanda Powell
Playmates by Rob Putnam
Edge of the Earth by Seth Renshaw
Beneath Your Eyes by Dan Rivais
With Friends Like These by Jason Ryan
Farm Fresh by Jon Schabl
Butterfly Children by Melanie Schiele
Body Blows by Colin Scott
The Ex Factor by Gary Sharp
We Come in Peace by Michael Snow
Hello Love by James Tapp
Artesia by Emily Tomson
Huckster by Benjamin Tsai and Jess Kroll
The Indestructible Light of Rose Lewis by Melissa Vitello
Abe Lincoln: Public Enemy No. 1 by Bill Walker
Boxed In by Matthew Walker
Sheltered by Brad Waskewich
2016 FAST TRACK IV Results:
Fellows:
Hennah Sekandary with 48 Hour Fire | Adam Fidler with Etched in Stone: Forged
Special Mention (in alpha order by script):
Matthew Schutt with Convergence
Ron Peer with Donuts with Jerry
Susan Turley with The Frozen Lakes
Vicki Peterson with Zoe and the Zebra
Top 50:
48 Hour Fire by Hennah Sekandary
Autopilot by Sam Butler
Bad Grapes by sasha siljanovic
Beneath Your Eyes by Dan Rivais
Biddies by Andrew Babick
Binge by James Mason
Bridge Keepers Pilot: Semmum Pretium by Breanna Barton-Shaw
Bronte by Yolanda Powell
Callisto by Robert Fagin
Convergence by Matthew Schutt
Cryptomeria by Blair Donahue
Darlings by Aaron Yeung
Donuts with Jerry by Ron Peer
Drone World by Dianna Zimmerman
End of Days by Sonja Verpoort
Escape from Sudan by antoine tardif
Etched in Stone: Forged by adam fidler
Eve by Angela Bourassa
Fabulous Disaster by Michelle Cutler
Fly Away by Chaz Pruchnicki
Galápagos by Lukas Hassel
Gitches by kelly byrnes
Good Guy with a Gun by Tyler McMahon
Henry Wallace by Michael Long
Hunters Pointe by Scott Liapis
In the Picture by Alex Benedon
Inheritance by Michael Curtis
Intelligents - Pilot by Scott Reynolds
Last Resort by George Covic
Loser Says What by Elizabeth Quinn
Lucidity by David Sueiro
Medicine Show by Christina Wollerman
Melodrama by Dustin McManus
My Mother's Daughter by Trudy Handel
Party Killer by Robert Fagin
Rise Of The Sun by James Visconti
Salt and Her Skin (Pilot Episode) by Michael Easton
That Bitch Is On the Patio by Anthony Giambusso
The Amazing Doctor O by Nancy Ellis
The Between Place by Marcus Leighton
The Chair by Richard Long
The Consultant by David Fairhurst
The Courage Inside by Melissa Emery
The Frozen Lakes by Susan Turley
The Same Face by Erik Santos
The Storm King by Vin Morreale
Through the Glass Darkly by Lauren Fash
Touts by Claire McGowan
Underground by Ted Campbell
Zoe and the Zebra by Vicki Peterson
2016 FAST TRACK III Results:
Fellows:
Lily Mercer with No More Heroes | Andy Byrne with Disconn
Special Mention:
Steen's Folly by Jeffrey Gold
Waterloo by Chuck Griffith
Up in Flames by Jason Kessler
Top 50 Screenplays:
A Vision Of Angels by Timothy Jay Smith
Absolution by Brian Gerber
Across The Pond by Andrea Harding
Affection by Chris O'Neill
Big Red by Brennig Hayden
Blue Death by Pamela Kay
Braid by Mitzi Peirone
Brights by Edward Klau
Disconn by Andy Byrne
Escaping Bellview by James Kicklighter
Finding Distance by Jodi Levitan
Ganbaru by Todd Maetani
Get Lost by Daniela Amavia
Glimpse by Glenn Acosta
Greek Surf by Jeanmarie Fenrich
Hell Hound: The Legend Of Robert Johnson by Giancarlo Fusi
Life As An Island by Ben Morton
Mexican/American by Michael Hahn
Misprints by Adam Preston
Modern Day Moses by Judy Nogg
Musashi & The Geisha by Stephen Kelly
Nate Of America by Robert Wooldridge
Nellie Bly: Reporter At Large by Lily Mercer
Neuro Confinement by Rory White
No More Heroes by Lily Mercer
Once Upon His Shoe by Pamela Kay
Quantum Effects - Pilot: My First Time by Neal Wiser
Quarterback Queen by Larry Woldenberg
Rebels by Alexandra Swenson
Saving Liberty by Harvey Yazijian
Silver Alert by Deana Costner
Six Letter Word by Lisanne Sartor
Sovereign Citizen by Craig Peters
Spirit Of Revenge by Paul Myerberg
Spirited Encounter by Kathy Meyer
Steen's Folly by Jeffrey Gold
Taking Christmas by Kyle Wilson
Talk Show Host by Jake Blandford
The 49th Day by Craig Peters
The Aviatrix by Stephen Kelly
The Creed by Charles Fisher
The Elixir Of Pablo Garcia by Brian Gerber
The Empty Sea (aka The Fix) by David Poulshock
The Fossetts by Roman Howell
The Jungle by Rachel Beard
The Summer I Shrank My Grandmother by Anita Brandt Burgoyne
Up In Flames by Jason Kessler
Wake, Willow Dragon by Nell Scannon
Waterloo Pilot by Chuck Griffith
With All Deliberate Speed by Marcus Herzberg
2015 FAST TRACK II Results:
Fellows:
David Baugnon with The Messiah Project | Christopher DeWan with Wunderland
Special Mention:
7th Son by William Maurer
Ballerina Girl by Evan Cooper
Incurable by Jeff York
Live From Mars by Christopher DeWan
Sabira’s Awakening by Marcus Herzberg
Sleeping Beauty by Tony Boland
The God Box by Bill Karl
The Puppy Cure by Michael Compton
Top 50 screenplays:
7th Son by William Maurer
A Fire in the Mind by Ken White
An Honorable Profession by Andrew Irvine
Ballerina Girl by Evan Cooper
Case of Darkness by Stephen Hoover
Chaos by Kevin Taft
Confessions by Stephen Hoover
Grace by Lynda Lemberg and Jeffrey Allen Russel
Hollywoodland by Andy Froemke
In The Cut by William Maurer
Incorruptible by Levi Bailey
Incurable by Jeff York
Last Train Home by Greg Vellante
Little GPS by John Kim
Live From Mars by Christopher DeWan
Lorenzo's Passion by Kathleen Twomey Wahed
Love's Remains by Matthew O'Connell
Nate of America by Robert Wooldridge
Never Stop Living by Bryan Caron
Nineveh by Rob Jacobsen
Private by Tara Hall
Sabira's Awakening by Marcus Herzberg
Saving Alleluia by Anne Katherine
Self Help, "Pilot" by Julie Livingston
Sight by Chance Muehleck
SkyBurner by David Baugnon
Sleeping Beauty by Tony Boland
Solomon's Bane by Helena Derett
Sugar Daddy by Michael Compton
Sugar Land by R.B. Ripley
Thaw by A.C. Abbott
The Book of Revenge by David Miller
The Boys Who Cried Wolf by Kevin Taft
The Choir by Luke Birch
The Contest by Andrew Irvine
The Fallout by Andrew Stylianou
The God Box by Bill Karl
The Messiah Project by David Baugnon
The Night Witches by Steven Prowse
The Puppy Cure by Michael Compton
The Sins of Lucky Foster by Greg Vellante
The Soul of the Murdered Kingdom by Wiktor Grodecki
The Untamed by Clayton Emery
Through the Cracks by David Rocchio
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Hi
i have just written a novel and self published it
SURVIVAL A STORY OF FRIENDSHIP by Alice Weil
it can be found on Amazon .com
my question everyone who has read it say it should be a movie
can you help me or advise Thank you
Alice Wei
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