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Program Description

The irony of this festival is that its goal is to not be around in 5 years time. To eventually not be relevant because there is zero need to have a festival geared for female talent and female stories because the stories presented in Hollywood and around the world are a balanced showcase of the human experience from both sexes.

Our goal is to achieve a lot of success and then fold into oblivion simply because there is no need for this festival.

Big discounts when submitting more than one script at a time!

When putting together the weekly festival, the administration noticed a lack of a female presence in the stories being shown at the festival.

A classic example and analogy to the frustration is how the festival noticed that even the smaller roles in a screenplay were written for a man to play. There was zero reason for this in many stories. How a police officer, or a political campaign manager, for example with 3-4 lines in a screenplay was a “HE” character. Why? And these are the screenplays written by the winners! The talented one who have obtained agents and have began/beginning their careers as a writer.

The festival quickly realized when doing the casting for the writing festival readings and setting up the film festival each week two distinct things:

There are so many talented female actors out there who don’t have enough roles to play. 64% of the assigned roles in a screenplay out of over 500 winning readings from 2013-16 were for males. A woman character got only 36% of the roles! And it’s safe to say that so many elite & talented women out there are sitting on the sidelines for no other reason than there is a lack of diversity in Hollywood and around the world in the stories being written.

There is a silent revolution happening around the world with female indy directors. The festival has noticed out of the last 100 films shown at the festival in the last year, 23 of those films were directed by a female. That is a great achievement in relation to how it is with Hollywood produced films, (4 out of 100 of the last films directed by a female.) but is that really something to be proud of? If 50% of the world’s population is female, then shouldn’t 50% of the films be produced and directed by a female? This is what the goal of this festival is.

Simply put: There NEEDS to be more stories told from the female point of view. And those stories need to be presented.

 

NOTE: This festival is still taking place each week despite the COVID-19 virus. All festival dates have been relegated to special screenings with recorded script readings performed by professional actors for the screenplays. We have already done 2 events with great success and many industry people pitching in and giving comments on the films and screenplays.

There will be a 2-3 week turnaround in your receiving your industry feedback notes. 

Deadlines and Fees

Early
July 31, 2022
Final
Aug. 18, 2022
Category 1
Standard Fee
$50
$60
$45
$55
Category 2
Standard Fee
$50
$60
$45
$55
Category 3
Standard Fee
$40
$50
$35
$45
Category 4
Standard Fee
$50
$60
$45
$55
Category 5
Standard Fee
$50
$60
$45
$55
Category 11
Standard Fee
$50
$60
$45
$55
Category 12
Standard Fee
$45
$55
$40
$50
Category 13
Standard Fee
$50
$60
$45
$55
Category 14
Standard Fee
$10
$20
$10
$15

Program Benefits

Screenplay Readings takes place EVERY SINGLE MONTH.

Get full feedback on your submission no matter what. 

Announcement Dates

Winners

Sept. 01, 2022

Rules

All screenplay submissions must be written by a female writer.

Contact Information

festival@femalefilmfestival.com

20 Carlton Street

Ontario, Toronto

M5B 2H5

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