Final Deadline: May 26, 2022

Starting at $69

ISAConnect saves $10+

Registration Fee $69

Timeline

Deadlines

  • Final
    May 26, 2022
Mega Early Deadline:

Mar 17, 2022

Early Deadline:

Apr 07, 2022

Regular Deadline:

May 05, 2022

Final Deadline:

May 26, 2022

CATEGORIES & FEES

Final Deadline
(05/26/22)
  • Standard Entry $69
  • ISAConnect Entry $59
Final Deadline
(05/26/22)
  • Standard Entry $69
  • ISAConnect Entry $59
Final Deadline
(05/26/22)
  • Standard Entry $39
  • ISAConnect Entry $29
Final Deadline
(05/26/22)
  • Standard Entry $39
  • ISAConnect Entry $29

Announcements

Quarter-Finalists

Jun 23, 2022

Semi-Finalists

Jul 05, 2022

Top 10

Jul 26, 2022

Grand Prize and Genre Winners

Aug 16, 2022

SPONSORS

Sponser name Sponser name Sponser name Sponser name Sponser name Sponser name Sponser name

Table Read My Screenplay Genre Screenplay Competition 2022

CONTEST DESCRIPTION

Save $20 When You Submit a 2nd Screenplay on the Same Entry Form!

________________________________________________

$6,000 in Cash + Live Table Read + Consideration for Development 

An Unparalleled Table Read Experience
With a professional table read, the Grand Prize Winner will gain insight into their script from a working director and trained actors as it is rehearsed and performed, then showcased for an audience. This is how Oscar-winning writers tighten their story, sharpen their dialogue and fine tune pacing, character and other important elements of their latest projects. Past winners have been staffed, premiered at Cannes and been nominated for an Oscar among other successes. 

Six Genre Winners will receive $1000 cash each and meet with an exec from UTAGramercy Park120E FilmsCircle of Confusion, Voltage Pictures and more to be announced.

 

 ________________________________________________

 

Consideration for Development
Our trusted partners at Legion M will read the top 4 scripts, and they may be considered for potential development. The winner of FilmScout will get a one-hour general meeting with Legion M Development Executives.

Over the past 6 years Legion M has united more than 35,000 investors and a worldwide community of 150,000+ film and TV lovers to develop, finance and produce a diverse slate of feature films, TV, digital content, consumer products, live events, comic books, podcasts, and more. Some of their projects include DEFIANT, SAVE YOURSELVES, COLOSSAL, MANDY, TOLKIEN, JAY AND SILENT BOB REBOOT and more.

 

________________________________________________


“Winning Table Read…changed the trajectory of my career and amplified my hard work in ways both wonderful and unexpected. I’ve pushed deep into the space where my writing goals have been – I found some amazing representation at Magnet Management and been hired to write two TV movies.” R.B. Ripley (TRMS New Orleans)

 

 

Accepting Features, TV Pilots, Shorts & Web Series in 6 Genre Categories:

  

PRIZES

RECEIVE UNPARALLELED CAREER DEVELOPMENT! 

Feature/Pilot Grand Prize Winner

  • Table Read of Your Winning Script
  • Roundtable with Industry Executives
  • ISA Development Slate Acceptance
  • Pitch Practice & Guidance
  • Industry Insight - Receive access to our industry contacts' current mandates plus development of a personalized producer outreach plan.
  • 12-Year Copyright Provided by Creators Vault
  • Professionally Designed Poster
  • Plus Genre Winners' Prizes

6 Genre Winners will Receive: 

  • $1000 Cash Each
  • 1 General Meeting with an Agent, Manager or Executive
  • ISA Development Slate Consideration
  • 12-Month ISAConnect Membership
  • Copy of the ultimate writer's toolbox, Script Studio
  • ScreenwriteNOW's "The Episode"
  • 8-Year Copyright Provided by Creators Vault
  • Consideration for Grand Prize
  • 1-Year WrapPro Membership ($150 value)

Legion M Film Scout Award

  • Top 16 Featured on Film Scout
    The Top 16 (6 Genre Winners + 10 more) will be showcased on the Legion M Film Scout App.
  • Top 4 Read by Legion M Development Execs and May Be Considered for Production
    Film Scout users will vote on projects based on the logline and synopsis. The Top 4 will then be read by Legion M Development Executives and may be considered for development.
  • Legion M Film Scout Award
    Top winner will receive a one-hour general meeting with Legion M Development Executives.

_____________________________________________________

 

1 Short / Web Series Grand Prize Winner

  • $750 Cash
  • Recorded Performance of Your Script with Professional Actors published on the Curious About Screenwriting Podcast Network
  • ISA Development Slate Consideration
  • Copy of the ultimate writer’s toolbox, Script Studio
  • 12-Year Copyright Provided by Creators Vault
  • 1-Year WrapPro Membership ($150 value)

_____________________________________________________

 

6 Genre Winners will meet with agents, managers, producers and execs.
This season's industry pros include:

Zach Cox - Manager, Circle of Confusion

Liska Ostojic - Head of Development, 120E Film

Megan Spanjian - Creative Development and Television Packaging, United Talent Agency

Mitchell Bendersky - Manager, Gramercy Park Entertainment 

Darcy Donelan - VP, Development & Production, Voltage Pictures


More to be announced soon.

 

Past seasons have included execs from:

 

Categories: , , ,
GENRES: Biography, Comedy, Crime, Drama, Historical, Horror, Mystery, Science Fiction, Thriller, Action/Adventure

Announcements

  • Quarter-FinalistsJun 23, 2022laurels

Rules

This contest is open to anyone except all employees, judges, directors, associates, and immediate families of the TABLE READ MY SCREENPLAY (TRMS) Contest.
The writer is under no obligation to participate in the contest and understands that it is not a guarantee or expectation of employment.
We do not discriminate on the basis of race, religion, national origin, sex, sexual orientation, gender identity, age, veteran status, or disability. It is our intention that all qualified submissions be given equal opportunity and that selection decisions are based on script-related factors alone.
Up to two scripts may be entered on one entry form. Additional scripts can be entered through an additional entry form.
Promotional discounts offered may only be utilized at the time of submission, and no partial refund for a promotional code may be issued after an entry has been officially submitted.
Once material has been entered, no substitutions of new drafts or corrections will be considered after 24 hours from original submission time and date have passed. After this time the writer may complete a new entry form and pay the appropriate entry fee to submit a revised version of their script.
Loglines may be changed once during the competition by e-mailing info@tablereadmyscreenplay.com with a revised logline; the writer must include the Title and Date of the original submission in the body of the e-mail along with the logline.
Feedback is a separate service with an additional fee, and unless specifically part of a promotion, is not an expected part of any entry. Feedback is in no way tied to contest placement.
The writer understands that feedback, whether paid or received as part of a promotion, can take 90 days or more to be returned, and may not be received before the end of the contest. TRMS will make all attempts to return feedback as soon as possible.
TRMS does not provide notes and/or scoring with every entry.
Grand Prize Winners from previous TRMS seasons may submit again, provided the contest city is not the same for which they previously won, and they must submit a new screenplay to be eligible.
Previous Shorts Prize Winners may enter a feature/pilot to any contest. If a writer wins the Grand Prize in two cities they may no longer submit.
Those who have placed as a Top 10 or Category Winner three times with three separate screenplays are ineligible to submit in any future contest season.
If two or more of a writers scripts place in the same prize category, they will be eligible for only one set of those prizes.
International writers are eligible to participate in the contest, as long as their participation is not prevented by law in either country.
Adaptations from other works are permissible provided the writer has written permission to adapt the work from the original source.
Adaptations of works in the public domain are permissible, however the writer assumes all responsibility assuring copyright status.
Collaborative work is eligible; the writers are responsible for the distribution of the contest prize(s). Only one pass and airfare & hotel for a single writer will be awarded to the Grand Prize Winner.
Writers under the age of 18 years old must have parent or legal guardian’s permission to participate.
The script and any related materials must not be in a current option agreement, and/or may not have been previously sold or produced for profit.
The writer understands and accepts without reservation that they are an independent contractor and that the contest administrators and sponsors are not responsible for withholding any taxes or payments on prize money to any government agency, at any level, be it local, state, or federal.
The writer understands that it is their sole responsibility to register material with the U.S. Copyright Office and/or with the Writers Guild of America West or the appropriate agency in his/her country.
The writer must retain at least one copy of the submitted material and understands that any material we receive cannot and will not be returned under any circumstances.
Script Length Guidelines: Feature – (70 – 120 pages), TV Pilots – (10 – 70 pages), Shorts – (1 – 45 pages), Web Series Pilots (1-20 pages)
Scripts longer than recommended length will still be considered for the contest and will not be disqualified.
If a screenplay is submitted for feedback and is over 120 pages, an additional service fee of $1 per page will apply; the writer will be invoiced separately for the fee. If the writer does not wish to pay an additional fee, the Feedback Reader will be instructed to read the first 120 pages only.
All entries must be received by Final Deadline. TRMS reserves the right to extend the contest deadline up to 90 days.
TRMS is not responsible for late, lost, unacceptably formatted, corrupt, or incorrect submissions, and may not be able to honor such entries.
The writer may submit their screenplay to any other person, contest, producer, agent, publisher, and/or organization.
The writer retains all rights to their screenplay, subject to the terms and agreements contained herein.
The writer assures that to the best of their knowledge they have the legal right to submit it for judging to TRMS.
The writer understands that their logline and/or screenplay will be reviewed by ISA and TRMS employees and/or our panel of Industry Judges for evaluation. The writer also understands that any one of these employees or judges may have been or may be exploring ideas similar to those contained in scripts they read, and hereby waives any claim that TRMS, its employees or judges may have misappropriated any ideas or portions of their submission logline or script.
No agreement for compensation, other than the TRMS prizes listed, has been implied.
Confirmation of entry will be received once a script is submitted with an entry form and completed with an entry fee through our payment vendor. The writer must provide a valid e-mail address with entry; if an email address should change after submission, it is the writer’s responsibility to let us know.
The writer understands that the ISA and TRMS will be free to use their name, likeness and voice for advertising or promotional purposes without additional consideration, should the writer make it past the first round.
All winners agree to give permission to the ISA, TRMS and other sponsors for associated contest audio and video recordings of the Table Read and other events to be used on websites and social media platforms.
TRMS reserves the right to award a cash prize at its discretion. The Winner is under no obligation to accept the associated prizes but will not be awarded or owed a cash replacement upon electing not to move forward with prizes offered.
TRMS may develop a series or documentary style program based on the inner workings of the contest and the production resulting there from. TRMS reserves the right to contact the writer with offers to participate in any such production. The writer is under no obligation to participate therein.
All Grand Prize, Top 10 and Semifinalist choices are made at the express decision of TRMS, and once made are considered final. The writer agrees to accept without reservation the decisions rendered by the judges.
There are no refunds for submissions at any time for any reason.
TRMS has the right to change or add to the prizes at any time, without notice, and/or substitute prizes of equal or lesser value.
Additional rules may be amended at the sole discretion of TRMS.
By submitting to this contest, your email address will be added to the contest database as well as the International Screenwriters' Association newsletter for weekly updates, contest promotions and other notifications. You may unsubscribe at any time.
It is our full intention to fulfill all prizes as posted. However, due to any unlikely “force majeure” event (whether an act of God or otherwise), we reserve the right to update or edit prizes in our sole and absolute discretion, including, without limitation, the right to move any prizes and/or packages to an online format.
By selecting ‘I have Read and Understand the Contest Rules’ on the entry page and submitting, the writer agrees to all of these rules.

FAQs

Q: Will the Table Read for the Feature/TV Pilot Grand Prize Winner be held in person or virtually?
A: The Table Read will be held virtually. 

Q: What forms of payment do you accept?
A: We accept all payments through PayPal, however you do not need a PayPal account to use it. Once you are taken to the payment page, you can select “Pay by Credit/Debit Card.”

Q: Do you accept check or money order by mail?
A: No; all payments must be made through PayPal.

Q: I would like to mail you a hardcopy of my script. How can I do that?
A: In an effort to maintain a green company, we only accept screenplays and teleplays through our website or one of our partner websites (the ISA, Coverfly, FilmFreeway).

Q: Should I include my contact information on my title page?
A: If you choose to do so, you may include your contact information on the title page, but it does not affect judging either way if you choose not to include it.

Q: Who will be reading my screenplay/judging the contest?
A: The final panel of judges will be comprised of screenwriting and other industry professionals, including but not limited to producers, managers and established writers.

Q: Can I enter my Short script as a Pilot?
A: You may enter your script however you wish, however our judges will be looking for formatting and structural techniques that are unique to each medium.

Q: When is the Table Read?
A: The Feature/Pilot Grand Prize Winner table read will be held in September 2022.

The Shorts Winner will receive a digital audio recording of their script’s Table Read.

Q: How does the Grand Prize Winner participate in the Table Read itself?
A: You sit back, relax, and observe as a director works scenes from your winning screenplay with the actors in preparation for the showcase of your first 30 pages. We will also read through your entire script in the workshop. There you can take a few notes of what’s working and what might need some tweaking. We encourage you to watch the process rather than reading off the script because you will get to listen again when you receive the recording.

Q: Does the Shorts Prize Winner receive a Table Read?
A: The Shorts Winner will receive a live audio recording of their Table Read, which will be posted on ISA’s Curious About Screenwriting Network and provided to the ISA’s list of Industry Professionals.

Q: Do I maintain the rights to my screenplay?
A: YES, you retain all the rights to your screenplay. Table Read My Screenplay seeks to support and empower writers, rather than claim their hard work for ourselves. If we select your script for recognition, you agree to grant us the right to hold a live Table Read and promote your success, but the script itself is still yours.

Q: Do I need to submit a Synopsis?
A: Synopses are not required and are not considered during the judging process.

Q: Can I submit a screenplay under a pen name?
A: Yes, you may use whatever name you wish, understanding that this is the name TRMS and the ISA will use to promote your script, should you win.

Q: Does my screenplay have to be registered with the Writers’ Guild or another organization?
A: No, but we do recommend registering your work with the WGA West, the Library of Congress Copyright office or other similar organization in your country. 

Q: Is an adaptation of a published novel or other work written by someone else eligible?
A: You must have the legal rights to adapt the book to enter your screenplay. Either the original work must be in the public domain, or you must have the author’s permission to adapt it. Spec scripts without written permission will not be considered.

Q: Can I send you a revised copy of my script?
A: Once we have received your entry, you have 24 hours to contact us about any replacements you need to make. After the 24-hour period is through, NO script revisions will be accepted FOR ANY REASON. If you would like to enter a revised version of your screenplay, you may do so as a new entry.

Q: Can I make changes to my genre or logline?
A: Yes, you may change your listed genre or logline at any time; simply e-mail us at info@tablereadmyscreenplay.com and let us know about the change. Once the contest is closed, we will not be able to make any changes.

Q: What stops you from taking my idea and developing it yourself?
A: Our panel of judges is comprised of respected industry professionals, and they have no intention of stealing your material. If you make it to the Semi-Finalist round, your work will be seen by these professionals, which in turn, gets you one step closer to getting your screenplay produced. You can sit at home and protect your ideas all day long hoping for that one right person to come along, or you can get your work out there and show us what you’ve got!

Q: Can TV Pilots actually win the Grand Prize?
A: Yes, Features and Pilots compete for the same prize, and we judge each on its own merits within its medium; TV Pilots have won in the past.

Q: Do you accept Web Series?
A: Yes, Web Series will be considered for the Short Grand Prize and should be entered as such. However, we will only consider the “Pilot” episode of your Web Series.

Q: What about series intended for streaming (Netflix, Hulu, ABC Digital, etc.)?
A: Generally-speaking, it depends on script length; any Pilot over 20 Pages should be entered as a TV Pilot (like Stranger Things, Catastrophe, etc). Series with shorter episodes like Forever 31 and Agents of S.H.I.E.L.D.: Slingshot should be entered as Shorts.

Q: What’s the minimum/maximum required page length?
A: Guidelines for suggested page lengths:

Features: 70 to 120 Pages
TV Pilots: 20 to 70 Pages
Shorts: 1 to 40 Pages
Web Series: 1 to 20 Pages

Q: My Feature script is over 120 Pages. Will I be disqualified?
A: Scripts that run over suggested page lengths will not be disqualified; however, extra pages can affect everything from pacing to structure to marketability, so we would advise you to get your script as close as possible to where the industry expects it to be.

Q: Will I be charged more if I go over 120 pages?
A: The entry fee does not change. However, if you purchase feedback, we will need to invoice you $1 per page above 120 for the Reader, who will receive every cent of the additional fee.

Q: Can I enter two scripts in one document?
A: You may enter up to two scripts per entry, but all scripts MUST be in their own individual PDF document.

Q: Can I submit an episode from my series besides the Pilot for consideration?
A: We would advise against this, as our judges consider all TV episodes as if they are the first in the series. No one would read a film script that starts on page 20.

Q: Does the choice of genre matter in my submission?
A: Yes, the genre you select will determine the genre category your script will be judged in. You will only be eligible to be selected as Genre Winner of the genre category you select. 

Q: The genre of my script is not an available choice; how should I enter?
A: You should choose the genre that is most closely associated with your script – if you have any questions, feel free to e-mail us at info@tablereadmyscreenplay.com. That said, we will not consider scripts for documentary, erotica, reality TV or musicals.

Q: Can I submit my screenplay in multiple genres?
A: Yes, you can; however, you will have to pay an entry fee each time as if they were separate scripts. 

Q: Can multiple scripts from one writer place in the Top 50 Semifinalists list?
A: Yes, some writers may have more than one script reach the Top 50. Table Read My Screenplay is interested in promoting scripts as well as writers, and as such we choose the Top 50 scripts that we receive to move on to the finals.

Q: Are Shorts part of the Semi-finalists list?
A: Shorts and Web Series Pilots will be featured onto their own Top 25 Semi-finalists list. For all contests prior to 2018, Features, TV Pilots, and Shorts are all featured on the same list.

Q: I don’t live in the United States—am I still eligible?
A: Yes, we accept international entries, but all submissions must be in English.

Q: My country currently cannot do business with the US so I cannot pay; may I receive a waiver?
A: Unfortunately, at this time we cannot grant waivers.
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Feedback Type Description

1st 20 Pages Feedback (1-2 Pages) – So much of the opportunity available to your script is spent within the first twenty pages. You need to make sure the hook, teaser and cold open grabs the reader and presents you like it should. This feedback will give you those answers.

General Feedback (2-3 Pages) – You know your work inside and out, now it’s time to get a second opinion. We’ll read your full script, and you’ll receive a detailed personalized critique on what we see, what we think, and suggestions on where to go next.

ISA Development Evaluation (5 Pages) – This is for those looking to submit to the ISA Development Slate. Writers who select this feedback will not only be considered for the Slate but receive suggestions on how to improve overall writing, story, structure, commercial appeal and more.


ISA-Certified Script Readers are experienced industry professionals with a variety of success in screenwriting, producing, and literary management. They are here to empower you to improve your work based on their well-informed perspective and how it relates to the structure and technique contained within your script. We strive to give you something more than just a pat on the back; we’re here to propel your script to the front of the line.
 

CATEGORIES & FEES

Final Deadline
(05/26/22)
  • Standard Entry $69
  • ISAConnect Entry $59
Final Deadline
(05/26/22)
  • Standard Entry $69
  • ISAConnect Entry $59
Final Deadline
(05/26/22)
  • Standard Entry $39
  • ISAConnect Entry $29
Final Deadline
(05/26/22)
  • Standard Entry $39
  • ISAConnect Entry $29

Rules

This contest is open to anyone except all employees, judges, directors, associates, and immediate families of the TABLE READ MY SCREENPLAY (TRMS) Contest.
The writer is under no obligation to participate in the contest and understands that it is not a guarantee or expectation of employment.
We do not discriminate on the basis of race, religion, national origin, sex, sexual orientation, gender identity, age, veteran status, or disability. It is our intention that all qualified submissions be given equal opportunity and that selection decisions are based on script-related factors alone.
Up to two scripts may be entered on one entry form. Additional scripts can be entered through an additional entry form.
Promotional discounts offered may only be utilized at the time of submission, and no partial refund for a promotional code may be issued after an entry has been officially submitted.
Once material has been entered, no substitutions of new drafts or corrections will be considered after 24 hours from original submission time and date have passed. After this time the writer may complete a new entry form and pay the appropriate entry fee to submit a revised version of their script.
Loglines may be changed once during the competition by e-mailing info@tablereadmyscreenplay.com with a revised logline; the writer must include the Title and Date of the original submission in the body of the e-mail along with the logline.
Feedback is a separate service with an additional fee, and unless specifically part of a promotion, is not an expected part of any entry. Feedback is in no way tied to contest placement.
The writer understands that feedback, whether paid or received as part of a promotion, can take 90 days or more to be returned, and may not be received before the end of the contest. TRMS will make all attempts to return feedback as soon as possible.
TRMS does not provide notes and/or scoring with every entry.
Grand Prize Winners from previous TRMS seasons may submit again, provided the contest city is not the same for which they previously won, and they must submit a new screenplay to be eligible.
Previous Shorts Prize Winners may enter a feature/pilot to any contest. If a writer wins the Grand Prize in two cities they may no longer submit.
Those who have placed as a Top 10 or Category Winner three times with three separate screenplays are ineligible to submit in any future contest season.
If two or more of a writers scripts place in the same prize category, they will be eligible for only one set of those prizes.
International writers are eligible to participate in the contest, as long as their participation is not prevented by law in either country.
Adaptations from other works are permissible provided the writer has written permission to adapt the work from the original source.
Adaptations of works in the public domain are permissible, however the writer assumes all responsibility assuring copyright status.
Collaborative work is eligible; the writers are responsible for the distribution of the contest prize(s). Only one pass and airfare & hotel for a single writer will be awarded to the Grand Prize Winner.
Writers under the age of 18 years old must have parent or legal guardian’s permission to participate.
The script and any related materials must not be in a current option agreement, and/or may not have been previously sold or produced for profit.
The writer understands and accepts without reservation that they are an independent contractor and that the contest administrators and sponsors are not responsible for withholding any taxes or payments on prize money to any government agency, at any level, be it local, state, or federal.
The writer understands that it is their sole responsibility to register material with the U.S. Copyright Office and/or with the Writers Guild of America West or the appropriate agency in his/her country.
The writer must retain at least one copy of the submitted material and understands that any material we receive cannot and will not be returned under any circumstances.
Script Length Guidelines: Feature – (70 – 120 pages), TV Pilots – (10 – 70 pages), Shorts – (1 – 45 pages), Web Series Pilots (1-20 pages)
Scripts longer than recommended length will still be considered for the contest and will not be disqualified.
If a screenplay is submitted for feedback and is over 120 pages, an additional service fee of $1 per page will apply; the writer will be invoiced separately for the fee. If the writer does not wish to pay an additional fee, the Feedback Reader will be instructed to read the first 120 pages only.
All entries must be received by Final Deadline. TRMS reserves the right to extend the contest deadline up to 90 days.
TRMS is not responsible for late, lost, unacceptably formatted, corrupt, or incorrect submissions, and may not be able to honor such entries.
The writer may submit their screenplay to any other person, contest, producer, agent, publisher, and/or organization.
The writer retains all rights to their screenplay, subject to the terms and agreements contained herein.
The writer assures that to the best of their knowledge they have the legal right to submit it for judging to TRMS.
The writer understands that their logline and/or screenplay will be reviewed by ISA and TRMS employees and/or our panel of Industry Judges for evaluation. The writer also understands that any one of these employees or judges may have been or may be exploring ideas similar to those contained in scripts they read, and hereby waives any claim that TRMS, its employees or judges may have misappropriated any ideas or portions of their submission logline or script.
No agreement for compensation, other than the TRMS prizes listed, has been implied.
Confirmation of entry will be received once a script is submitted with an entry form and completed with an entry fee through our payment vendor. The writer must provide a valid e-mail address with entry; if an email address should change after submission, it is the writer’s responsibility to let us know.
The writer understands that the ISA and TRMS will be free to use their name, likeness and voice for advertising or promotional purposes without additional consideration, should the writer make it past the first round.
All winners agree to give permission to the ISA, TRMS and other sponsors for associated contest audio and video recordings of the Table Read and other events to be used on websites and social media platforms.
TRMS reserves the right to award a cash prize at its discretion. The Winner is under no obligation to accept the associated prizes but will not be awarded or owed a cash replacement upon electing not to move forward with prizes offered.
TRMS may develop a series or documentary style program based on the inner workings of the contest and the production resulting there from. TRMS reserves the right to contact the writer with offers to participate in any such production. The writer is under no obligation to participate therein.
All Grand Prize, Top 10 and Semifinalist choices are made at the express decision of TRMS, and once made are considered final. The writer agrees to accept without reservation the decisions rendered by the judges.
There are no refunds for submissions at any time for any reason.
TRMS has the right to change or add to the prizes at any time, without notice, and/or substitute prizes of equal or lesser value.
Additional rules may be amended at the sole discretion of TRMS.
By submitting to this contest, your email address will be added to the contest database as well as the International Screenwriters' Association newsletter for weekly updates, contest promotions and other notifications. You may unsubscribe at any time.
It is our full intention to fulfill all prizes as posted. However, due to any unlikely “force majeure” event (whether an act of God or otherwise), we reserve the right to update or edit prizes in our sole and absolute discretion, including, without limitation, the right to move any prizes and/or packages to an online format.
By selecting ‘I have Read and Understand the Contest Rules’ on the entry page and submitting, the writer agrees to all of these rules.

FAQs

Q: Will the Table Read for the Feature/TV Pilot Grand Prize Winner be held in person or virtually?
A: The Table Read will be held virtually. 

Q: What forms of payment do you accept?
A: We accept all payments through PayPal, however you do not need a PayPal account to use it. Once you are taken to the payment page, you can select “Pay by Credit/Debit Card.”

Q: Do you accept check or money order by mail?
A: No; all payments must be made through PayPal.

Q: I would like to mail you a hardcopy of my script. How can I do that?
A: In an effort to maintain a green company, we only accept screenplays and teleplays through our website or one of our partner websites (the ISA, Coverfly, FilmFreeway).

Q: Should I include my contact information on my title page?
A: If you choose to do so, you may include your contact information on the title page, but it does not affect judging either way if you choose not to include it.

Q: Who will be reading my screenplay/judging the contest?
A: The final panel of judges will be comprised of screenwriting and other industry professionals, including but not limited to producers, managers and established writers.

Q: Can I enter my Short script as a Pilot?
A: You may enter your script however you wish, however our judges will be looking for formatting and structural techniques that are unique to each medium.

Q: When is the Table Read?
A: The Feature/Pilot Grand Prize Winner table read will be held in September 2022.

The Shorts Winner will receive a digital audio recording of their script’s Table Read.

Q: How does the Grand Prize Winner participate in the Table Read itself?
A: You sit back, relax, and observe as a director works scenes from your winning screenplay with the actors in preparation for the showcase of your first 30 pages. We will also read through your entire script in the workshop. There you can take a few notes of what’s working and what might need some tweaking. We encourage you to watch the process rather than reading off the script because you will get to listen again when you receive the recording.

Q: Does the Shorts Prize Winner receive a Table Read?
A: The Shorts Winner will receive a live audio recording of their Table Read, which will be posted on ISA’s Curious About Screenwriting Network and provided to the ISA’s list of Industry Professionals.

Q: Do I maintain the rights to my screenplay?
A: YES, you retain all the rights to your screenplay. Table Read My Screenplay seeks to support and empower writers, rather than claim their hard work for ourselves. If we select your script for recognition, you agree to grant us the right to hold a live Table Read and promote your success, but the script itself is still yours.

Q: Do I need to submit a Synopsis?
A: Synopses are not required and are not considered during the judging process.

Q: Can I submit a screenplay under a pen name?
A: Yes, you may use whatever name you wish, understanding that this is the name TRMS and the ISA will use to promote your script, should you win.

Q: Does my screenplay have to be registered with the Writers’ Guild or another organization?
A: No, but we do recommend registering your work with the WGA West, the Library of Congress Copyright office or other similar organization in your country. 

Q: Is an adaptation of a published novel or other work written by someone else eligible?
A: You must have the legal rights to adapt the book to enter your screenplay. Either the original work must be in the public domain, or you must have the author’s permission to adapt it. Spec scripts without written permission will not be considered.

Q: Can I send you a revised copy of my script?
A: Once we have received your entry, you have 24 hours to contact us about any replacements you need to make. After the 24-hour period is through, NO script revisions will be accepted FOR ANY REASON. If you would like to enter a revised version of your screenplay, you may do so as a new entry.

Q: Can I make changes to my genre or logline?
A: Yes, you may change your listed genre or logline at any time; simply e-mail us at info@tablereadmyscreenplay.com and let us know about the change. Once the contest is closed, we will not be able to make any changes.

Q: What stops you from taking my idea and developing it yourself?
A: Our panel of judges is comprised of respected industry professionals, and they have no intention of stealing your material. If you make it to the Semi-Finalist round, your work will be seen by these professionals, which in turn, gets you one step closer to getting your screenplay produced. You can sit at home and protect your ideas all day long hoping for that one right person to come along, or you can get your work out there and show us what you’ve got!

Q: Can TV Pilots actually win the Grand Prize?
A: Yes, Features and Pilots compete for the same prize, and we judge each on its own merits within its medium; TV Pilots have won in the past.

Q: Do you accept Web Series?
A: Yes, Web Series will be considered for the Short Grand Prize and should be entered as such. However, we will only consider the “Pilot” episode of your Web Series.

Q: What about series intended for streaming (Netflix, Hulu, ABC Digital, etc.)?
A: Generally-speaking, it depends on script length; any Pilot over 20 Pages should be entered as a TV Pilot (like Stranger Things, Catastrophe, etc). Series with shorter episodes like Forever 31 and Agents of S.H.I.E.L.D.: Slingshot should be entered as Shorts.

Q: What’s the minimum/maximum required page length?
A: Guidelines for suggested page lengths:

Features: 70 to 120 Pages
TV Pilots: 20 to 70 Pages
Shorts: 1 to 40 Pages
Web Series: 1 to 20 Pages

Q: My Feature script is over 120 Pages. Will I be disqualified?
A: Scripts that run over suggested page lengths will not be disqualified; however, extra pages can affect everything from pacing to structure to marketability, so we would advise you to get your script as close as possible to where the industry expects it to be.

Q: Will I be charged more if I go over 120 pages?
A: The entry fee does not change. However, if you purchase feedback, we will need to invoice you $1 per page above 120 for the Reader, who will receive every cent of the additional fee.

Q: Can I enter two scripts in one document?
A: You may enter up to two scripts per entry, but all scripts MUST be in their own individual PDF document.

Q: Can I submit an episode from my series besides the Pilot for consideration?
A: We would advise against this, as our judges consider all TV episodes as if they are the first in the series. No one would read a film script that starts on page 20.

Q: Does the choice of genre matter in my submission?
A: Yes, the genre you select will determine the genre category your script will be judged in. You will only be eligible to be selected as Genre Winner of the genre category you select. 

Q: The genre of my script is not an available choice; how should I enter?
A: You should choose the genre that is most closely associated with your script – if you have any questions, feel free to e-mail us at info@tablereadmyscreenplay.com. That said, we will not consider scripts for documentary, erotica, reality TV or musicals.

Q: Can I submit my screenplay in multiple genres?
A: Yes, you can; however, you will have to pay an entry fee each time as if they were separate scripts. 

Q: Can multiple scripts from one writer place in the Top 50 Semifinalists list?
A: Yes, some writers may have more than one script reach the Top 50. Table Read My Screenplay is interested in promoting scripts as well as writers, and as such we choose the Top 50 scripts that we receive to move on to the finals.

Q: Are Shorts part of the Semi-finalists list?
A: Shorts and Web Series Pilots will be featured onto their own Top 25 Semi-finalists list. For all contests prior to 2018, Features, TV Pilots, and Shorts are all featured on the same list.

Q: I don’t live in the United States—am I still eligible?
A: Yes, we accept international entries, but all submissions must be in English.

Q: My country currently cannot do business with the US so I cannot pay; may I receive a waiver?
A: Unfortunately, at this time we cannot grant waivers.

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Kirk Weddell selected for ISA's Development Slate

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Genre Winner

Very proud that my screenplay, Minotaur, is resonating with people who like action films with catharsis. Thanks again to the Table Read My Screenplay Competition.
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Genre Winner for Table Read my Screenplay

MINOTAUR, is resonating with people who like action films with catharsis, as it picks up another win.
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