Registration Fee ---

Announcements

TOP 100

Nov 02, 2017

Top 6 & Grand Prize

Dec 07, 2018

SPONSORS

Sponser name Sponser name

Emerging Screenwriters Screenplay Competition

CONTEST DESCRIPTION

Sponsored by the International Screenwriters' Association and Jacob Krueger Studio.

Our goal is to help you, the emerging screenwriter develop as a storyteller, show off your talents to industry, and provide you with a cash prize to help propel you along in your screenwriting career.

Be our next winner!

The Grand Prize Winner will receive an invitation onto the ISA Development Slate, where the team will work with you to further package and champion your winning script to more industry execs for a full year. 12 Writers have received representation and 54 Scripts from our writers have been optioned or produced since fall of 2016. Many more are being reviewed by top producers in the industry.

Plus, you'll split $25,000 in cash prizes and receive a 4-Week Write Your Screenplay Class with Jacob Krueger.

 

 

 


WINNING SCRIPT WILL BE CONSIDERED BY 3 INDUSTRY PROS:

  • Scott Stoops (Good Fear Film + Management)
  • Justin Lothrop (Head of Development – Votiv Films)
  • Stephen Emery (Head of Film & TV Acquisitions & Development – The Solution Ent. Group)

 

PRIZES


                                  

Grand Prize Also Receives:
- Guaranteed Reads by Scott Stoops (Good Fear Film + Management), Justin Lothrop (Head of Development – Votiv Films), Stephen Emery (Head of Film & TV Acquisitions & Development – The Solution Ent. Group)
- ISA Development Slate Invitation
- 1 Year ISAConnect with access to Writing Gigs and Industry Pros
- All Additional Category Prizes

Top 6 Also Receive:
- 4-Week Write Your Screenplay Class in NYC or Online at Jacob Krueger Studio ($375 value)
- ISA Development Slate Consideration 
- 6 Months ISAConnect with access to Writing Gigs and Industry Pros
- All Prizes from Top 100 

Development Program

TOP 100
- Good Fear Film + Management will be considering the Top 100 scripts in the hopes of finding their next rising star.
- Teleseminar: “How to Capitalize On Your Win” with Jacob Krueger
- 3 months ISAConnect with access to Writing Gigs and Industry Pros
- Email Release Announcing TOP 100
- Loglines submitted to Producers for Consideration upon Industry Request

Good Fear Management

EVERYONE WHO ENTERS:
- Webinar: “How to Win Contests and Influence Producers” with Jacob Kruger 

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COMMENT(S)
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On June 26, 2018 Lazarre Simckes said:
How do I get the discount as a member? It asks for a discount code.

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On March 30, 2018 Rafael Matos said:
I couldn't find the entry fee ammount for this contest. Pls. advise.
Rafael Matos

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Its 55. 50 for ISA connect members.

Feedback Type

Additional Fee Added to Entry

  • 1st 20 Pages Analysis ($0, Normally $30): $0
  • General Analysis ($25, Normally $55): $25
  • Extensive Analysis ($90, Normally $120): $90

Feedback Type Description

Take Your Screenplay to the Next Level with ISA-Certified Professional Script Analysis
Screenplay competitions like Emerging Screenwriters are a great way to take a chance on your dreams through your creativity. However, unless you win the Grand Prize or place in the Top 100, you may never know how your script actually compared – and even if you do find success, you won’t actually know what it was about your script that caught the judges’ eyes and set you apart. That’s where Professional Script Analysis comes in.

In this business, doors only open every so often, so when you walk through you want to make sure you present the best version of what you have to offer. You don’t just want your screenplay to win a competition – you want producers and agents to read your screenplay and say, “I want THIS.” Script Analysis will give you that insight into those industry minds before you even get the appointment.

First 20 Pages Analysis (1-2 Pages) – So much of the opportunity available to your script is spent within the first twenty pages. You need to make sure the hook, teaser, cold open… grabs the reader and presents you like it should. This analysis will give you those answers.

General Analysis (2-3 Pages) – You know your work inside and out, now it’s time to get a second opinion. We’ll read your full script, and you’ll receive a detailed personalized critique on what we see, what we think, and suggestions on where to go next.

Extensive Analysis (Up to 5 Pages) – For those looking for an extensive breakdown of the inner-workings of their creative material. Writers who select this Analysis will receive suggestions on how to improve overall writing, story, structure, characters, pacing, stakes, climax and resolution, specific problem scenes, tone and overall commercial appeal.
 
ISA-Certified Script Readers are experienced industry professionals with a variety of success in screenwriting, producing, and literary management. They are here to empower you to improve your work based on their well-informed perspective and how it relates to the structure and technique contained within your script. We strive to give you something more than just a pat on the back; we’re here to propel your script to the front of the line.

Rules

  • All writers from all countries are welcome to enter the competition; however, all scripts must be submitted in English, and entry fees must be paid in U.S. dollars.
  • Emerging Screenwriters Grand Prize Winners and their screenplays are ineligible to enter into any future contest season.
  • If screenwriters receive 2nd – 6th place awards 3 times with 3 different screenplays the writer will no longer be eligible to submit.
  • Scripts must be the original work of the author(s) and may not be encumbered by any third party.
  • Scripts that have been sold, produced for a profit, or are currently under option are not eligible.
  • Novels, short stories, stage plays, treatments, synopses, reality show concepts, and/or spec scripts for existing TV series are not eligible. Your script must be an original screenplay or teleplay.
  • Screenplays adapted from your own self-published books, plays, or other source material are eligible if you have retained all rights to your work.
  • Adaptations from other works are permissible provided you have the writer’s written permission to adapt the work.
  • Adaptations of works in the public domain are permissible.
  • Collaborative work is eligible; the writers are responsible for the distribution of the competition prize(s).
  • Those that receive a free script analysis are not eligible to receive a free resubmission, which may come as an option with purchased script analyses or unless otherwise stated in a promotion.
  • The writer understands that a script analysis can take up to 90-days turn-around time and may not be received before the end of the contest.
  • You may submit your entry and payment online only. We’re GREEN!
  • Promotions must be used at the time of submission and will not be added to previous submissions.
  • Multiple entries are permissible.
  • Once a script has been entered into the competition, we will only accept substitutions of new drafts or corrected pages if you contact us within 24 hours. After that, under no circumstances will we accept changes. If you wish to submit a revised draft of your script, you must enter it as a new submission and pay the appropriate entry fee.
  • Writers under the age of 18 years old must have parent or legal guardian’s permission to participate.
  • Competition applicants must accept without reservation the decisions rendered by the judges.
  • Writer understands that it is his/her sole responsibility to register Material with the U.S. Copyright Office and/or with the Writer’s Guild of America or the appropriate agency in his/her country.
  • Payments to be accepted via Paypal only, or through registrations on the ISA website. All major credit cards accepted.
  • By entering this competition, and in the event you are declared a finalist, you understand and accept that Emerging Screenwriters and the ISA will be free to use your name and likeness for advertising or promotional purposes without additional consideration.
  • Contestants are under no obligation to participate therein.
  • Contestants may submit their screenplay to any other person, competition, producer, agent, publisher, and/or organization and will retain all rights to their screenplay.
  • No agreement for compensation, other than the prizes, has been implied.
  • Prizes may be distributed in the rate of 1 package per person based on the highest placement and not per winning screenplay, depending on the request of the sponsor.
  • The Grand Prize through 3rd Place cash prizes will be provided in 3 installments over 3 months.
  • ISAConnect Membership prizes expire after 90 days and cannot be combined with a current free ISAConnect membership.
  • Decisions of the Judges are final and may not be disputed. The Judges will adhere to our competition guidelines; however, the competition and its administrators may not be held responsible for any errors or omissions on the part of the Judges.
  • Length requirements are as follows: 1). Full-Length Features: 80-130 pages. 2). TV Pilots: Up to 70 pages.
  • If you order a script analysis you may be charged separately $1 for each page over 130 pages, or the reader may only read the first 130 pages.
  • Please do not enclose synopses, casting suggestions, letters, resumes or photos with your submission. They will not be forwarded to the Judges. However, if you’re submitting a TV Pilot you may include standard supplementary materials, such as lists of recurring characters and future episodes. Email them to: Submissions@ EmergingScreenwriters.com.
  • You understand that your logline and screenplay will be reviewed by our staff and/or our panel of Industry Judges for evaluation. You also understand that any one of the staff or judges may have been or may be exploring ideas similar to yours, and you hereby waive any claim that the Emerging Screenwriters Screenplay Competition, its staff or judges may have misappropriated any ideas or portions of your submission logline or screenplay.
  • The writer understands and accepts without reservation that he/she is an independent contractor and that Competition Administrators are not responsible for withholding any taxes or payments to any government agency, at any level, be it state, local or federal.
  • To enter the Emerging Screenwriters Screenplay Competition you must agree to the Rules.

FAQs

When are the competition deadlines and announcements?
Early Deadline – April 19th
Regular Deadline – May 24th
Final Deadline – June 28th

Announcements:
Top 100 – November 2nd
Grand Prize & Top 6 – December 7th


Do you accept entries via snail mail?

No. In an attempt to be green, we're not accepting hard copies via the postal service. We're accepting online entries and online payments via Paypal only. This includes all major credit cards.

 

Do I have to enter my script as a PDF?
Yes. We only accept scripts in PDF format.

 

Should I include my title page with my screenplay?
Yes, you should include your title, author(s) name, telephone number and email address.

 

Can I submit a screenplay under a pen name?
Yes.

 

Does my script have to be registered?
No, but we DO recommend registering your work with the ISA Registry, WGA and/or the Library of Congress Copyright office.

 

Does the writer maintain rights to the screenplay?
Yes, always!

 

When will I receive my analysis?
Your analysis will be emailed to you within 90 days of submitting your script.

 

Can I re-enter a rewrite or corrected versions of my script if I haven't ordered analysis?
Yes, you may re-enter your screenplay for the price of the current deadline fee.

 

What if I make a mistake and send the wrong script?
If you make a legitimate mistake entering and recognize this within 24 hours, email us here, and we'll send you instructions on replacing your screenplay: Info@EmergingScreenwriters.com

 

How do I re-enter my rewrite?
If you have received Emerging Screenwriters Screenplay Analysis during the 2018 competition season and have revised your screenplay, please request a special link to re-enter by emailing Info@EmergingScreenwriters.com

If you have NOT received Emerging Screenwriters Screenplay Analysis during the 2018 competition season: You may resubmit via the regular entry form.

 

Do I need to submit a logline? Synopsis?
Logline: YES / Synopsis: NO

 

Do you accept short screenplays?
No, not at this time.

 

Will my screenplay be accepted if it's not in the traditional format?
Scripts should be written in standard spec screenplay or teleplay format, set in 12-point Courier font. Scripts should be standard length. While your entry will not be disqualified if it is longer or shorter than these specified page counts, for your own benefit we recommend that you adhere to the page length guidelines.

 

What's the minimum/maximum required page length?
Features: 80 - 120 pages. TV Pilots/Web Series: Up to 70 pages.

 

My screenplay is longer than 120 pages. Will it be disqualified?
No, but we urge you to stay within the guidelines. It's rare that a good screenplay requires more than the standard number of pages.

 

If I'm over 120 pages and receiving analysis, will my full script be read?
We are forgiving with a 5-page grace, however if you are at 6 or more pages over the maximum, you will be charged $1 for each page over 120 pages. You will be emailed to discuss and billed separately, or you are welcome to just have your analysis done on the first 120 pages of your screenplay at the normal prices.

 

What genres do you accept, and can I enter in more than one?
We accept all genres. We understand scripts can be categorized in many genres. Please pick from the genre below that best reflects your screenplay. You are welcome to enter in more than one genre, but another entry fee is required. Action/Adventure, Thriller Animation, Fantasy, Science Fiction, Comedy, Drama, Family, Historical, and Horror

 

Do you accept novels, short stories, stage plays, treatments or synopses, reality show concepts, musicals, documentaries, or spec scripts for existing TV series?
No, we're sorry; we do not. We accept ORIGINAL narrative feature length screenplays and TV pilots / Web Series only.

 

Can I submit an adaptation of a book or play?
Absolutely, as long as you have full rights to the material and either are the author or have a written agreement with the author allowing this script to be written and marketed.

 

Can I submit more than one screenplay?
You may!

 

If I enter my screenplay in more than one category, do I get a discount?
You can enter your screenplay in as many categories as you like. If you submit through the Emerging Screenwriters website you will receive $20 off each additional screenplay after the first when you submit 3 together.

 

Will entering early increase or decrease my chance of winning?
Entering early will neither increase nor decrease your chance of winning, but it will save you money!

 

How will I know if you received my script?
You will receive an email confirming your entry immediately upon submitting. If you do not, please email us here: Info@EmergingScreenwriters.com.

 

What if my script is optioned or sold after I enter the competition?
As long as your script was not optioned or sold on or prior to the date you submitted it to the competition, you are still eligible for an award.

 

I don't live in the United States. Can I still enter the competition?
You sure can, and we look forward to reading your work. Please just make sure it's in English. No other languages are accepted at this time.

 

Does Paypal accept currencies other than the American Dollar?
Yes! Paypal is set up to exchange most currencies into the American Dollar. Please visit www.Paypal.com if you have any concerns.

 

Any other questions feel free to email us here: Info@EmergingScreenwriters.com

St. Jones' Ditch

Top 100, Emerging Screenwriters' Competition 2012
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A Wolf's Head

Placed in Emerging Screenwriters 2012:Paced in Writers on the Storm 2011;Place in Cyberspace Open Fall Winter 2010-2011;Honourable mention AAA Screenplay Contest 2010.
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MY BRAVE FACE contest success

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Emerging Screenwriters Screenplay Competition - TOP 100 FINALISTS

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Breach of Trust by Laurel Pardo

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Blake Bailey's KBL (Kill Bin Laden) Top 100

KBL (Kill Bin Laden) a farcical tale of the insanites of Afghanistan places top 100 in Emerging Screenwriters 2012, and Semi-Finalist in Fresh Voices for 2012.
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Diarra McCormick Takes 9th Place

Diarra McCormick entered her first contest, the 2012 Emerging Screenwriter's Competition and won ninth place. McCormick's original tv pilot called "Homebound" was written in graduate school while studying Screenwriting at Loyola...
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Al Calendar-pilot written by Carol Paur, in top 100 finalists

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The Big Chew by Leah Mann was in the Top 100 in The Emerging Screenwriters

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Yvonne Paulin in the top 100 of the Emerging Screenwriters Competition

THE TRAIL by Yvonne Paulin placed in the top 100 of the 2012 Emerging Screenwriters Competition. 
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Lorraine Flett - Top 100 Emerging Screenwriters 2012

Lorraine Flett - Top 100 Emerging Screenwriters 2012
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Deborah Vajda's THE BECKONING BUSH - Finalist 2012 Emerging Screenwriters

THE BECKONING BUSH, a full-length screenplay by Deborah Vajda, is a Top 100 Finalist in the 2012 Emerging Screenwriters Competition.
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Lincoln\'s Timeless Love by Millie Raphael in Top 100 Emerging Screenwriters

Lincoln's Timeless Love combines the most compelling elements of Young Mister Lincoln and Somewhere in Time.The screenplay is based on the story of young Abraham Lincoln and the love of his life: Ann Rutledge.  It is told through the...
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New Writer, Bela Wolf, Official Selection in 17 festivals, multiple awards

Bela Wolf's screenplay "She Was Left Alone", based on the novella SHE WAS LEFT ALONE By Bela Wolf, has been in 17 festivals, placing top honors in many. This is Bela's first screenplay and she is gaining a lot of attention with...
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John Mawson - Emerging Screenwriter Finalist

John Mawson was an Emerging Screenwriter Finalist for his World War 2 True story drama "The San Demetrio". It was also in the Nicholl Fellowship 2012 Top 20%.
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Rick Markus\' Chicago Nine-Eleven - finalist in multiple contests

Chicago Nine-Eleven placed Top 100 in Emerging Screenwriters, was a Table Read My Screenplay 2012 Semi-finalist and a Scriptapalooza 2012 Quarter-finalist.
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\"USB\" written by Jody levesque wins \"Best of Festival.\"

 Also won "Best Screenplay." http://www.chathamdailynews.ca/2014/02/23/professional-filmmaker-impressed-with-entries
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DC Sayre\'s - FIRST PERSON SHOOTER makes the Top 100 screenplays at Emerging Screenwriters

Feature thriller screenplay FIRST PERSON SHOOTER makes the Top 100 screenplays for 2013 in Emerging Screenwriters Screenplay Competition.
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T.A. Snyder\'s DEAD MEN won multiple awards

Just announced a quarter-finalist in CineStory.  2014 ScreenCraft Fellowship Winner.  Emerging Screenwriters Finalist.
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Absolute Rubbish - top 100 of Emerging Screenwriters - Helen Rose Roberts

The family feature Absolute Rubbish placed in the top 100 in this years Emerging Screenplay competition. Helen Rose Roberts is thrilled to announce. 
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Jason Kessler's TV Pilot wins Honorable Mention in Emerging Screenwriters

Jason Kessler's TV Pilot won Honorable Mention (Top 15) in the Emerging Screenwriters 2014 Screenwriting Competition. "Likes & Follows" is a workplace comedy that follows a quirky group at a startup social media agency. Jason...
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Robert Wooldridge's NATE OF AMERICA in top 100

Robert Wooldridge's NATE OF AMERICA was listed in Emerging Screenwriters Screenplay Competition in the top 100 Finalists.
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Robert Wooldridge Places Two Scripts in Two Top Contests

Robert Wooldridge's THE BOAT placed as a semifinalist in the Storypros International Competition and in Fresh Voices Screenplay Competition, and his NATE OF AMERICA was listed in Emerging Screenwriters Screenplay Competition Top 100...
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Made the top 100 list of the 2015 Emerging Screenwriters!

Tracee's screenplay 101 WAYS TO SURVIVE THE END OF THE WORLD has qualified as a top 100 finalist in the Emerging Screenwriter's Competition.The story is a heartbreaking tale of a young boy who loses his parents and is sent to live with...
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Chuck Griffith's TV pilot is a top 100 finalist in competition

Chuck Griffith's TV pilot script, "Waterloo", has been announced as a top 100 finalist in the 2015 Emerging Screenwriters Competition out of over 1400 submissions.
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ROBERT WOOLDRIDGE PLACES 2 SCRIPTS IN EMERGING SCREENWRITERS TOP 100

Robert Wooldridge placed two screenplays, A HITCH IN THE PLAN and THE BOAT, in the top 100 of Emerging Screenwriters 2015 Screenplay Competition. A HITCH IN THE PLAN is a thriller about a detective who enlists the help of a film buff to help...
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Jeff York's "Incurable" a finalist in 2015 Emerging Screenwriters contest

In November 2015, Jeff York's horror movie entitled "Incurable" was named a top finalist in the 2015 Emerging Screenwriters Contest. The unique, character-driven story is about a young man diagnosed with ALS who has the chance to beat...
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Ross Denyer's "The Relief" is an Emerging Screenwriters Top 25 Finalist

Ross Denyer's 1-hour Sci-Fi pilot THE RELIEF, about a man who takes the memories of others, has been selected as a "Top 25" Finalist in the 2015 Emerging Screenwriters Screenplay Competition!
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Gkebda Ganis "Holy Mackerel" won 3rd Place

My script "Holy Mackerel" won 3rd Place in 2015 Emerging Screenwriters Screenplay Competition.
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Howard Fridkin

"The Last Adventure of Shay Blaze" wins 2nd place in the 2015 Emerging Screenwriters Competition.  This sci-fi western saga follows a mysterious gunslinger who teams up with a dirt farmer for a showdown with a maniacal 10-year-old boy...
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Keith Davidson's awards

As well as selling a script to Universal with Ivan Reitman attached, Keith Davidson has also won an impressive number of screenwriting competitions, including:-Walt Disney Studios Fellowship-Warner Bros./Lorimar Productions Television Series Writing...
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"Lemon Made" Wins Grand Prize Emerging Screenwriters contest

Described as Goodfellas meets The Sandlot, the family friendly Lemon Made is the Grand Prize winner in the 2015 Emerging Screenwriters Contest.  Called "inventive, nostalgic and fun for parents and kids" by the judges, Lemon Made...
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Blue is not a feeling written by Jana Ploetz

Jana Ploetz's short script "Blue is not a feeling" is about a young man who fights his depression. Literally. It is featured in the top 50 of the emerging screenwriters screenplay competition.
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L.A. Longworth

Coming up for air after being lost in a new script and launching a website, so I'm just getting around to documenting the ride I took this past year with my last feature script ONE BAD ASTRONAUT, which was a quarter-finalist in the Nicholl, a...
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Mary Goldman places in Top 50 Emerging Screenwriters & AFF

"The Redemption of Frank Malone", a suspense/thriller by Mary Goldman places in the Top 50 of the 2015 Emerging Screenwriters Short Screenplay Competition and made Second Round in the 2015 Austin Film Festival Short Screenplay...
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Special Mention (Top 20) In The Emerging Screenwriters Shoot Your Short

Damon Ragsdale received Special Mention (Circle of 20) in the 2015 Emerging Screenwriters Shoot Your Short Competition.
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Jeff Yorks' "Incurable" is named 2016 Screencraft Fellowship semifinalist

Jeff York's horror script "Incurable" was named a semifinalist in the 2016 Screencraft Screenwriting Fellowship contest. Another script of Jeff's, his western entitled "The Scoundrels Club", was also selected as a...
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Mary Goldman makes top 20 Emerging Screenwriters' Shoot Your Short

"The Redemption of Frank Malone", a dark suspense thriller, made top 20 of the 2015 Emerging Screenwriters' Shoot Your Short competition.
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Competition Results

Writer Neal Wiser has garnered success over the last few years with impressive competition results. His Quantum Effects pilot made the TOP 50 of the ISA Fast Track III Fellowship 2016, 6TH PLACE (of 1400) in Emerging Screenwriters 2015, a...
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Jeff York's "Play Dirty" script named ScreenCraft comedy semifinalist

Jeff York's dark comedy "Play Dirty" was just named to the 2016 ScreenCraft comedy screenwriting contest's list of semifinalists. It has figured in the finals of a number of contests, including Final Draft's Big Break contest,...
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McLeary's Mulligan, adaptation of the novel by Bridget Bell McMahon

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MARK WILLIAM MOORE TOP 100 IN 2016 EMERGING SCREENWRITERS COMPETITION

Representing the top 7% of all entries, Mark William Moore's "I Am Champion" places in the Top 100 in the 2016 Emerging Screenwriters Competition.
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"Darlings" earns 4th place in Emerging Screenwriters Screenplay Competition

Aaron Yeung's 'Darlings' places 4th in the Emerging Screenwriters Screenplay Competition for 2016. 
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Julia Skikavich's serialized drama Top 6 winner in Emerging Screenwriters

ISA CONNECT member Julia Skikavich's TV drama pilot script, 'Missing Pieces', has placed in winners' circle of the Top 6 of the 2016 Emerging Screenwriters screenplay competition. The pilot of the serialized drama series was hailed as a "kick butt...
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Julia Skikavich's workplace comedy a Top 100 in Emerging Screenwriters

Julia Skikavich's TV pilot, 'Sourdoughs', has placed in the Top 100 of the 2016 Emerging Screenwriters contest. Set in an Arctic town, the workplace comedy was cited as "brillant" fish-out-of-water comedy with a new and innovative twist. 
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Julia Skikavich's TV pilot places in Top 100 of Emerging Screenwriters 2016

Julia Skikavich's TV drama pilot script, 'Missing Pieces', has placed in Top 100 of the 2016 Emerging Screenwriters screenplay competition. Cited as a "kick butt script", the story was graded as being ripe with potential,...
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Ahana Umesh's "MATCHED BY SERA" is Emerging Screenwriters 2016 Finalist

Ahana Umesh's screenplay, "Matched by Sera" qualified as a finalist in the 2016 Emerging Screenwriters Screenplay Competition. Featuring witty repartee, it revolves around the CEO of a matchmaking company, who is better adept at...
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Powderpuff wins 5th Place in Emerging Screenwriters

Chelsea Watkins' feature, Powderpuff, wins 5th Place in the 2015 Emerging Screenwriters Competition.
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SUZANNE PRESCOTT'S ACTION THRILLER 'THE LARIAT GIRL' SIZZLES!

Suzanne Prescott's Psychological Action Thriller 'THE LARIAT GIRL'  has just placed in the top 100 of the 2017 Emerging Screenwriters Shoot Your Sizzle Competition.This exciting, unique contest offers the grand prize winner...
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Daniel J. Mitchell's TV Pilots make Top 100 in Shoot Your Sizzle

Daniel J. Mitchell's quirky, superhero action-comedy, "Superfluous", and high-octane thriller, "War Bank" both made the Top 100 in the Emerging Screenwriters Shoot Your Sizzle competition. The scripts are now advancing to the...
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'Product 125' Advances in Shoot Your Sizzle

Jim Falletta's sci-fi feature script, 'Product 125', has placed in the Top 100 of the 2017 Emerging Screenwriters Shoot Your Sizzle Competition and is now moving on to the final round.
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Daniel J. Mitchell's action-comedy "Superfluous" Top 100 Finalist

Daniel J. Mitchell’s quirky, superhero action-comedy “Superfluous” makes the Top 100 Finalists in the 2016 Emerging Screenwriters Screenplay Competition.
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YOUNG CREATURES

Giulia is an Italian teenager with a seemingly normal life. A few months from her sixteenth birthday Giulia made an odd and recurrent dream that would change her life forever. In the dream, Giulia saw herself, running through a dark path, where it...
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Daniel J. Mitchell's 'Superfluous' 8th Place in "Shoot Your Sizzle" contest

Daniel J. Mitchell's action-comedy pilot 'Superfluous' wins another accolade, this time taking 8th in the 2017 Emerging Screenwriters "Shoot Your Sizzle" competition.
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Jeff York's dark comedy 'Play Dirty' named Script Pipeline quarterfinalist

Jeff York's dark comedy 'Play Dirty' was just named a quarterfinalist in the 2017 Script Pipeline screenwriting contest. The story concerns Becky Shrum, a nerdy 13-year-old girl in San Clemente, CA who is running to be the president of the junior...
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Zee Kershaw - Emerging Screenwriters' Shoot Your Sizzle Competition

Kershaw's Sizzle Reel Short script 'The Unobtainables' placed in the top 100 in the 2017 "Shoot Your Sizzle" Competition. Placing in the top 100 meant that they won a prize, as well as recognition for all the hard work.
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The Doodler

*America's Rainbow Film Festival Winner: Best Screenplay for The Doodler*Genre Celebration Festival Winner: Best Screenplay for The Doodler*Cannes Screenplay Contest Historical Competition Official Finalist for The Doodler
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2011 Emerging Screenwriters Screenplay Competition - 2nd Place Overall

Derek Asaff's animated/family feature GUINEA PIGS takes 2nd Place at the 2011 Emerging Screenwriters Screenplay Competition.
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Ted Campbell selected for the ISA's Top 25 Writers of 2017

Ted Campbell has been chosen as one of ISA's Top 25 Writers of 2017. The decision was based on five primary points and conditions: overall writing talent and presentation of a gift for the craft of screenwriting, project/script success in...
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Don Thompson is in the Emerging Screenwriters Top 100

Thompson's screenplay 'Medea, South Carolina' moves him to the top 100 in the Emerging Screenwriters Contest.
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Pilot 'Token Kyle' by Melissa Emery is Top 100 for Emerging Screenwriters

Melissa Emery's original comedy pilot Token Kyle is currently in the Top 100 for Emerging Screenwriters Feature/ Pilot Competition.Token Kyle is about a man who wants nothing more than to make partner at work to win the approval of his deadbeat...
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Mugs Cahill makes Emerging Screenwriters Top 100

Mugs Cahill was named in the Top 100 for the ISA's Emerging Screenwriters Feature/Pilot Competition for her TV Pilot submittal JOOK. The same script which garnered the Austin Film Festival Second Rounder.
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There are no judges bio linked to this contest.

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Enhance Your Chances for Winning in your Screenwriting Career with Professional Script Analysis.

Our goal is to empower you to take your screenplay to the next level. Even contest winning screenplays, because they've won based on a curve, still need that extra oomph to be industry ready. If producers, agents, managers or even contests are not getting excited by your work, who are you writing for?

Our consultants are experienced in a range of screenwriting, producing and literary management and wish to help you improve your work based on their knowledge of the industry. Please keep in mind that some of what you receive you may not agree with. Take the time to absorb the analysis objectively; it comes to you with the most genuine intent!

FIRST 20 PAGE ANALYSIS  (1-2 PAGES)

Everything relies directly on the first 20 pages of your screenplay. Receive catered notes on what will get those producers or their readers hooked in from the beginning. 

GENERAL ANALYSIS (2-3 PAGES)
Receive a detailed personalized critique on the next steps in your script development process.

EXTENDED ANALYSIS (5-6 PAGES)
Receive extensive notes, with suggestions on how to improve overall writing, story, structure, characters, pacing, stakes, climax and resolution, specific problem scenes, tone and overall commercial appeal.


ISA-Certified Script Readers are experienced industry professionals with a variety of success in screenwriting, producing, and literary management. They are here to empower you to improve your work based on their well-informed perspective and how it relates to the structure and technique contained within your script. We strive to give you something more than just a pat on the back; we’re here to propel your script to the front of the line.

Emerging Screenwriters Screenplay Competition Participating Writer:

"I just wanted to let you know that I have entered numerous contests over the last 3 years with this script and I am thrilled with this feedback. Usually coverage from contests means vague book reports, but the coverage I received makes it clear what needs to be done to improve the script. I can't thank Emerging Screenwriters enough!"


~ Sam Lunay