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9 Game-Changing Screenwriting Lessons

Everything in life has a pattern. So does a screenplay.Writing a screenplay (or a novel or anything else) can be a lot like trying to assemble IKEA furniture without the manual - frustrating, a little chaotic, and filled with moments where you genuinely wonder your purpose in life (and let’s face it, those IKEA manuals aren’t mu...
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5 Writer Hacks That Will Save Your Story

Screenwriting is an art, and it’s never easy. When we think it’s easy, we’re probably missing something. That’s not to say that it’s supposed to be hard just for hard’s sake (I mean…telling someone a story and actually making them feel something over the course of two hours or an entire season of TV is tricky business), but it i...
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Horror at the Oscars: On "The Substance" and Crafting Your Own Nightmare

When we think of the Oscars, we don't immediately think of horror movies. But it happens. This year, we've got The Substance with five nominations and Nosferatu with four. Alien: Romulus can claim one nomination. Academy-lauded horror films of the past include The Sixth Sense, Get Out, Misery, The Exorcist, and Best Picture-winn...
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A Quick Look At Developing the Most Important Element of Your 2nd Act

Today I want to focus on developing the strength of your unique moment. What does that mean, exactly, “unique moment”? And how is your unique moment connected to the 2nd Act as a whole? It's something I stress over and over; delivering your "recurring moment." Burn that term into your brain! "Recurring moment." I've used it befo...
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Mike Schur Sends Ted Danson on Undercover Mission in “A Man on the Inside"

  • Staff Writer
  • .December 13, 2024
A Man On The Inside started as a 2020 documentary film by Maite Alberdi called The Mole Agent. It was an exposé of elder citizens’ abuses in nursing homes. Now a comedy television series starring Ted Danson as Charles, the amateur sleuth, his daughter Emily (Mary Elizabeth Ellis) seeking connection after the death of her mother ...
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Writing Effective Found Family Films: Part 2

This entry is part 2 of 2 in the series "Found Family."It’s A DisasterNothing forces people to form a family faster than a disaster – a plane crash, shipwreck, or a natural disaster such as an earthquake, tidal wave, or tornado. Yellowjackets tells the story of a girls soccer team whose plane crashes in the wilderness during a f...
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Writing Effective Found Family Films: Part 1

This entry is part 1 of 2 in the series "Found Family."Found Family films are not new, but you may not have explicitly heard the term before. It simply means a film featuring groups of people who are not genetically or legally related and joined by circumstances to try and accomplish a common story goal by the end. These movies ...
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Goals: Driving the Narrative

  • James "Doc" Mason
  • .November 19, 2024
As with every story element described in this series, the goal relates directly back to the idea of conflict. To reiterate, in its most basic form, conflict is when someone wants something and another person doesn’t want them to have it.More specifically, narrative conflict is typically when one character proactively pursues a g...
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Understanding the First Half of Your 2nd Act

Understanding the First Half of Your 2nd Act with Some Help from Harry and Sally:Sequence 5: Let’s Get Into ItYou’re rumbling along on a road trip with your girlfriend, boyfriend, spouse, or partner. Let’s just set that stage for a second. You’ve been on the road for a few hours. The high and excitement of hitting the open road ...
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What's All This Talk About 'The Promise of the Premise'?

A New WorldAs I continue this series of daily newsletters, bringing us from one sequence of story structure into the next, I’m going to start this one with a little bit of a set up. It’s something rather simple, but important in that it will hopefully get your brain properly wrapped around this post’s topic – Sequence 4, and wha...
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How To Write A Contained Film

Contained films are restrained stories that have traditionally been limited to the horror/ thriller genre. They are characterized by having few characters (often three to five, sometimes as few as one), no more than one or two main locations such as a haunted house, and a skeleton crew.Most importantly, they are filmed on shoest...
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The Set-Up Event

The Difference Between a Set-Up Event and the Inciting Incident + Defining the 2nd Sequence of Your Story:The Set Up EventIf you didn’t already know, I used to have a solo podcast on the ISA website called The Craft. I also released a book on screenwriting a few years back. A lot of these newsletters are in reference to what I c...
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Write Worlds And Characters Actors Want To Play

  • Pen Densham
  • .August 26, 2024
I am convinced that actors with creative intelligence want to play roles that challenge, expand, and refresh their artistic instincts. They want to get involved with films that get noted for Oscar consideration. It’s the job of the screenwriter to create worlds and character roles actors want to play.When stars commit to a movie...
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How Does A Character's Stage of Life Impact Your Story?

What Stage of Life do you feel you’re currently in, and what kind of experience or situation could force you to change? You need to ask the same of your characters.I had an idea that in order to help us understand how to finish a script, discussing the basic structure and make-up of the script could be the simplest way to launch...
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How to Adapt a Script Into a Novel - Part 2

Jumping back into the two-parter about not only how to approach adapting your script into a book, but also why. What is the why? As a little recap - this industry is HARD…when you don’t have a built-in audience. A book - your own IP (intellectual property) can help you create a fan base and therefor help you get noticed.Isn’t ge...
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How to Adapt Your Script into a Novel - Part 1

As you already know, the first 14 Substacks I’ve posted dealt primarily in the breakdown of the structure of a story. I peppered in a few motivating chapters that hopefully fed your momentum as you plowed through. Now is when we get into a much more broad set of topics. This is, in the end, the crux of the screenwriting world. T...
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There’s both light and dark.. there’s a lot of dark

  • Annabel Jones
  • .August 11, 2024
'There’s both light and dark.. there’s a lot of dark!' - Black MirrorCharlie Brooker & Annabel Jones on screenwriting levers, satire, and why checking your phone is like smoking. Plus great practical advice for writers! Black Mirror. The term refers to the dark, shadowy image you see of yourself while staring at the unlit screen...
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It All Comes Down To Biology

  • Pen Densham
  • .August 4, 2024
Why We Watch Movies – It All Comes Down To Biology:Joseph Campbell became the patron saint of screenwriters thanks to George Lucas famously using his theories when he created Star Wars. Campbell studied thousands of myths, parables, and legends, from all time periods, religions and cultures. In his book, The Hero With a Thousand...
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Dramatic Tension – Don’t Let Them Go (Part II)

  • Patrick O'Driscoll
  • .August 4, 2024
This entry is part 2 of 2 in the series Dramatic Tension:Keeping audiences hooked relies on meaningful dramatic questions, yet few stories generate tension on the most meaningful level.Nothing prevents an audience’s boredom like the need to know what happens at the ending. Provided the protagonist has our empathy or interest, th...
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Dramatic Tension – Don’t Let Them Go (Part 1)

  • Patrick O'Driscoll
  • .July 29, 2024
This entry is part 1 of 2 in the series Dramatic Tension:Clever concepts, genre staples, and rare characters can entice audiences, but without story-long dramatic tension, your screenplay will struggle to keep them engaged.Screenwriting has one rule: thou shalt not bore thy audience. Even Neanderthal storytellers knew that borin...

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