An established animation company is seeking Animation TV projects for the 6 - 11 age range. Something fresh, fun, not-too-violent but adventurous with escapism tendencies.
Strong female comedic voices are encouraged, but not required. Please no dogs or cats as your main characters - human main characters are preferred, but not required.
Comps could be (and please research these): Niko and the Sword of Light, Kipo and the Age of the Wonderbeasts, The Dragon Prince, Amphibia, Infinity Train.
When submitting, a finished screenplay is not necessary BUT encouraged. If you are not submitting a finished screenplay, an excellent, well-developed, graphically designed pitchbook bible is necessary. Please also include a one page SYNOPSIS and a fully-developed logline that contains the series hook.
All unique and original voices welcome to apply! We support diversity across voices and creators, so we strongly encourage BIPOC, LGBTQIA+ and female writers to submit. Union and non-union writers accepted. Scripts from anywhere in the world will be considered but must be English language.
When applying please write in the NOTE section (but not required):
- List of significant award wins (or add your profile link)
- Your country of origin (if not based in US)
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NOTE: An “ISA Verified Pro” means it is a respected industry professional/company with means to fund projects that suit their mandate. They wish to remain private and have entrusted the ISA to vet and find content to send to them.
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IMPORTANT NOTE: Please provide a brief logline of no more than two sentences. Your logline will be the first element our team will use to evaluate your submission. This is your calling card for your script, is it doing its job?
1. What is the central crisis driving the narrative, particularly in the second act?
2. Who is your main character and what is their emotional arc?
3. What is the general setting or tone of the piece?
If you are struggling to encapsulate these elements of your concept, then we recommend submitting your project for a logline review. Please also read this article and watch this video, then edit your logline. We encourage you to keep trying new versions of your loglines until you get more attention from producers. Loglines are that important!
Strong female comedic voices are encouraged, but not required. Please no dogs or cats as your main characters - human main characters are preferred, but not required.
Comps could be (and please research these): Niko and the Sword of Light, Kipo and the Age of the Wonderbeasts, The Dragon Prince, Amphibia, Infinity Train.
When submitting, a finished screenplay is not necessary BUT encouraged. If you are not submitting a finished screenplay, an excellent, well-developed, graphically designed pitchbook bible is necessary. Please also include a one page SYNOPSIS and a fully-developed logline that contains the series hook.
All unique and original voices welcome to apply! We support diversity across voices and creators, so we strongly encourage BIPOC, LGBTQIA+ and female writers to submit. Union and non-union writers accepted. Scripts from anywhere in the world will be considered but must be English language.
When applying please write in the NOTE section (but not required):
- List of significant award wins (or add your profile link)
- Your country of origin (if not based in US)
----------------------------------------------------
NOTE: An “ISA Verified Pro” means it is a respected industry professional/company with means to fund projects that suit their mandate. They wish to remain private and have entrusted the ISA to vet and find content to send to them.
----------------------------------------------------
IMPORTANT NOTE: Please provide a brief logline of no more than two sentences. Your logline will be the first element our team will use to evaluate your submission. This is your calling card for your script, is it doing its job?
1. What is the central crisis driving the narrative, particularly in the second act?
2. Who is your main character and what is their emotional arc?
3. What is the general setting or tone of the piece?
If you are struggling to encapsulate these elements of your concept, then we recommend submitting your project for a logline review. Please also read this article and watch this video, then edit your logline. We encourage you to keep trying new versions of your loglines until you get more attention from producers. Loglines are that important!
Key Highlights
PAID:
Market rates apply WGA/Non WGA
Genre:
Animation, Children
Format:
Television
Location:
Anywhere
Deadline to Submit:
Apr. 14, 2021
