Guides & Resources

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Editor

Individual who performs editing (in consultation with the director) on a movie. ....

Edit Decision List (EDL)

Complete list of time code numbers for each shot and sound used in the off-line edit master. These time code numbers are used to create the final on-line edit master. ....

Electrical Department

Section of a production's crew responsible for lighting and other electrical matters during filming. ....

Electrician

Grip that specializes in the equipment of the electrical department. ....

Emulsion

Thin layer of silver attached to base of a film strip. The silver reacts with the light when exposed which creates a film image. ....

Emulsion Type

Refers to the composition of a film's emulsion and how it was manufactured. (Example: fast/slow, daylight/tungsten, etc.) The emulsion type is represented by a number which varies from one company to another. ....

Encode

Process of combining analog or digital video signals, e.g., red, green and blue, into a composite signal. ....

Epic

Film with large dramatic scope or that required an immense production. ....

Establishing Shot

Wide shot showing much of the location. ....

Executive Producer

Producer who is not involved in any technical aspects of the filmmaking process, but who is still responsible for the overall production usually handling business and legal issues. ....

Exposure Index (E.I.)

Number which is used to measure a film's speed based upon the film stock's sensitivity to light. Similar to A.S.A. and I.S.O. ....

Exterior (EXT.)

Used in a slug line, indicates that the scene occurs outdoors. ....

Extra

Individual who appears in a movie where a non-specific, non-speaking character is required, usually as part of a crowd or in the background of a scene. ....

Extreme Close-up (ECU)

Shot in which the subject is much larger than the frame. Provides more detail than a close-up. ....

Extreme Long Shot

Camera cue in direction used to describe a shot taken by a long distance from the subject ....

Eye Line

Direction an actor should be focused on, off-screen, so as to match a reverse angle or point-of-view shot. ....

Exposure Index

AKA "E.I." or "ASA." It is the specific number used to measure film speed. ....

F-Stop

A scale that measures the size of the opening of an iris. The traditional scale runs: 1.4, 2, 2.8, 5.6, 8, 11, 16, 22. The smaller the number, the larger the opening of the iris, allowing more light. Conversely - the larger the number, the smaller the iris, allowing less light. ....

Fade

Smooth, gradual transition from a normal image to complete blackness (fade out), or vice versa (fade in). ....

Fade IN

First words typed in a script. Literally means "to begin." ....