Breaking a sweat leads to multiple breakdowns on the Enterprise. Singing! Swordplay! Kirk is torn between two lovers! This week, we’re putting “The Naked Time” in the Mission Log! ....
Chicanery. Bureaucracy. Misogyny. It’s just another day on the 23rd Century frontier. This week, the Mission Log tracks the adventures of “Mudd’s Women.” ....
When Sabrina Doyle was casting her film Lorelei — a working-class fable about a biker, a mermaid, and three shades of blue — she had Emmy nominee Pablo Schreiber (Orange Is the New Black) and Golden Globe nominee Jena Malone (The Hunger Games). What sh....
Kat Coiro, director of the charming new Jennifer Lopez and Owen Wilson rom-com Marry Me, proudly embraces some of the traditions of the genre: a wild meet-cute, opposites attracting, a cheering section of quirky friends, intoxicating musical breaks. But like a good wedding, Marry Me also makes some endearing tweaks to tradition.
&ld....
Since I Been Down tells the story of Kimonti Carter, who was sent to prison for a drive-by shooting in 1997, when he was barely 18, for the killing of a college student named Corey Pittman.
The film is straightforward about the crime, which Carter deeply regrets. And the film is just as clearsighted in....
We are proud to present the 2020 Austin Table Read My Screenplay Genre Grand Prize winning short script, "The Ride" by Kimberly Truong. The role of Catherine will be pl....
“I met with a guy and he gave me a show that was terrible,” began Chris Redd. “I went back to my talented friends who don’t do terrible comedy and said, ‘We should make a version of this.’ We kept jamming on that shit and there were four different ....
Oftentimes, when we're developing the story of a film, developing the plot of the film, we're afraid that we're going to run out of story, that we're going to run out of the right story. We worry that we don't have enough story, or a good enough story, that our idea doesn't work, that we don't have the right ending, that....
In this insightful teleconference, Dr. Melody Jackson, founder and Chief Smart Girl at Smart Girls Productions, will break down a variety of distinctions in screenwriting that have always been thought to be subjective. She turns them into a list of measurable checkpoints for evaluating your script's "saleability". In this in....
Don't send your script out right after you finish it. You only get one chance to make a first impression. Don't blow it. --Get feedback before submitting--How to get your script read--What readers look for when reading What every writer needs to do after finishing their script; get feedback from friends who write screenplays, too,....
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